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HIGH TECH AND HOT POT

ENCOUNTERS AND ESCAPADES INSIDE CHINA

This open-minded, bemused portrait of a history-rich yet futuristic China beguiles.

A German journalist explores China’s mega-cities and remote outposts, takings risks that most tourists would avoid.

In this chronicle of his fourth trip to China, Orth, a former travel editor at Der Spiegel whose previous travelogues were about Russia and Iran, offers an unofficial account of “how the Chinese see the world…and about where this huge country is heading,” while acknowledging that any views formed can change. In a narrative that combines elements of memoir, travelogue, and cultural exposé, the author examines China’s infamous surveillance, state-sanctioned media, censorship, and reeducation camps, also providing snapshots of daily life that portray tech-savvy people who've mostly adapted to its breakneck pace. Deviations from the party line fascinate, and some of Orth’s hosts open up through WeChat and in-person interviews. Though they may not be a representative cross-section—“mostly middle class [people] who are cosmopolitan and exceptionally hospitable”—their stories shed light on how citizens live in a restrictive society: A subversive Beijing artist discusses the state mafia that claimed her studio. A woman motivated by the loss of her childhood home documents village traditions, impressing Orth with her innovation. An exile from the IT world embraces a Buddhist lifestyle. Even a Shenzhen policewoman disobeys workplace rules. Throughout, the author describes his newfound friends with candor, and he ably conveys the level of pollution and brash consumerism he encountered as well as the charm. His lively tales of navigating tense situations—e.g., meeting a cult leader—are particularly memorable. When he set out alone, such as in Xinjiang, where Muslim Uyghurs are persecuted, the narrative necessarily darkens. But the bulk of the narrative is far from bleak, and Orth includes clever anecdotes that stem from his “laowai” ("always a foreigner") status. Photographs and humorous mistranslations ("Be careful clothes sandwich," an escalator warning) embellish the work.

This open-minded, bemused portrait of a history-rich yet futuristic China beguiles.

Pub Date: May 12, 2020

ISBN: 978-1-77164-562-1

Page Count: 304

Publisher: Greystone Books

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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