An interesting, if uneven, blend of literary journalism.

MULATTO AMERICA

AT THE CROSSROADS OF BLACK AND WHITE CULTURE: A SOCIAL HISTORY

Freelance journalist Talty examines encounters between white and black America that created what he labels a “mulatto culture.”

The author begins with pre–Civil War accounts of whites who were kidnapped or sold by their families into slavery. Using both court records and memoirs, he defines this tiny population (perhaps 30 abductions a year), noting that children were the preferred targets because adults had voting records and memories to prove their whiteness. Once the children were regarded as “black,” Talty shows, their appearance and memories were entirely discounted. One slave trader confessed on his deathbed that, “in August 1774, he had purchased an entire boatload of Irish natives and sold them in the South, advertising them as light-skinned blacks,” because in that category they would bring a higher profit than as indentured servants. These slaves had to prove they were Caucasian in “trials of whiteness.” At about the same time, the Reverend Henry Ward Beecher was offering near-white children in anti-slave auctions held to raise ransom money to free the youngsters. White audiences responded to these demonstrations very favorably, although at actual sales in the South, lighter-skinned captives “could disrupt slave auctions and unnerve an entire town.” From here, the text moves on to the antebellum South and examines the effect of fundamentalist Christianity on blacks, looking specifically at conversion narratives, observing that it was traditional for black converts to describe themselves as becoming “white” upon entering heaven. An essay on interracial relationships rediscovers wonderful stories of whites drinking their paramours’ blood in order to circumvent the “one-drop” rule; another piece discusses W.E.B. Du Bois’s role in creating a movement that led whites (for possibly the first time) to envy black culture. In these opening chapters, Talty does a splendid job of unraveling fact, fiction, and legend. The remaining six pieces, which focus on such cultural movements as jazz, hip-hop, and disco, are slightly less engaging.

An interesting, if uneven, blend of literary journalism.

Pub Date: Jan. 10, 2003

ISBN: 0-06-018517-1

Page Count: 288

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2002

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ALL THE PRESIDENT'S MEN

Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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