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THE DRAGON WITH A CHOCOLATE HEART

A gloriously fresh story to be read with a steaming cup of chocolate at hand.

Aventurine is tired of being treated like a baby hatchling.

The young dragon dreams of exploring the world, but her mother wants her safe at home reading books and finding her passion. When Aventurine flies away from the mountain to prove she’s fierce enough to take care of herself, she picks up a tantalizingly sweet scent that leads her to the source of the wonderful smell: chocolate. There’s a human, too, whom Aventurine plans to eat. He gives her a cup of hot melty chocolate, and Aventurine’s life changes with one enchanted sip. The bad news: Aventurine is now a vulnerable 12-year-old human girl. The good news: she’s found her passion—chocolate, of course—and she’s going to apprentice herself to a chocolatier. With the help of Silke, a black girl in men’s clothing, the unstoppable Aventurine, who still sees the world as a dragon does, finds her way to the Chocolate Heart and its proprietor, the golden-skinned Marina, a hot-tempered, uncompromising master chocolatier. As apprentice, Aventurine is launched on a new course, one on which she finds the strength to align her dragon and human selves while making chocolate that just might save the kingdom from some fiery enemies. Aventurine’s human self is apparently white, but the cast of secondary characters is diverse: Marina’s business partner is a black man, and the pink-skinned king has two brown-skinned daughters.

A gloriously fresh story to be read with a steaming cup of chocolate at hand. (Fantasy. 8-14)

Pub Date: May 30, 2017

ISBN: 978-1-68119-343-4

Page Count: 256

Publisher: Bloomsbury

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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