by Stephanie Elizondo Griest ‧ RELEASE DATE: March 9, 2004
Griest at least gets out and about and drinks in some cultural relativism rather than assuming the omniscient cloak of the...
An innocent coming-of-age story from a young Latina journalist who recounts her stays in Moscow, Beijing, and Havana, circa 1996 to 2000.
There is little to nothing of late-breaking news in Griest’s report from her foreign postings. Moscow still smells “of equal parts vodka and sausage, leather and tobacco, sweat and strife,” and Beijing of “cigarette smoke, sweat, and soy sauce.” You still need permits and papers in Russia, and the bureaucracy still creaks with inefficiency; democracy is a long way off, the revolution is dead, and war and corruption are in: same old same old. In Beijing, where she toils for the English-language propaganda sheet, journalism is all about not offending your friends (North Korea), not recognizing your enemies (Dalai Lama), and steering clear of the sensitive: AIDS, drugs, capital punishment. Cuba, too, gets a standard-issue treatment: “Revolutionaries might be genius military strategists, but they are crummy economists,” conveniently forgetting the embargo. So the value of all this comes down to Griest getting off the beaten track, which she does often enough to keep the pages turning: working in a shelter for children in Moscow to taste the downside of vodka; learning to shrug off fiercely held convictions to get into the stomach of the Chinese via the food bond; and dancing (and dancing) in Cuba. The energy she puts into these pursuits opens her mind and drives her story past some hackneyed material (“ ‘Look at their faces,’ Elena whispered in my ear. ‘This is real Russia.’ ”). Here, she can avoid received opinion because she is creating her own, tossing aside “the anvil of history,” and slipping on a new pair of cultural spectacles, letting her doubts and new-found notions rise to the surface.
Griest at least gets out and about and drinks in some cultural relativism rather than assuming the omniscient cloak of the foreign correspondent.Pub Date: March 9, 2004
ISBN: 0-8129-6760-7
Page Count: 288
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2004
Share your opinion of this book
by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Share your opinion of this book
More by Tom Clavin
BOOK REVIEW
by Tom Clavin
BOOK REVIEW
by Tom Clavin & Bob Drury
BOOK REVIEW
by Tom Clavin
by Emmanuel Carrère translated by Linda Coverdale ‧ RELEASE DATE: Sept. 13, 2011
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Share your opinion of this book
More by Emmanuel Carrère
BOOK REVIEW
by Emmanuel Carrère ; translated by John Lambert
BOOK REVIEW
by Emmanuel Carrère ; translated by John Lambert
BOOK REVIEW
by Emmanuel Carrère ; translated by John Lambert
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.