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YOU CAN'T TAME A TIGER

Catch this tiger tale at storytime.

What makes a tiger a tiger?

The nameless young narrator has a pet tiger named Imran. Imran can speak, and he does have stripes on his pure-white fur, but they’re hard to see. This seeming omission makes the protagonist and other children question whether Imran is actually a tiger at all—though the big cat insists that he is. Throughout, Imran repeats the phrase, “You can’t tame a tiger,” rejecting the narrator’s repeated efforts to make him conform to preconceived notions of tigerhood. Chung relies on a limited palette, using orange as a highlight against blue-gray backgrounds, with painterly black brush strokes and flourishes of green and yellow. Painting black stripes on Imran’s fur makes him look like a zebra; festooning him with polka dots just makes people think he’s a cheetah. The youngster tries painting Imran orange, but he jumps into a pool of water and washes away the paint, all the while insisting on his true tiger nature. Clearly, the children cannot make this pure-white tiger change his (figurative) stripes. Ultimately, a loud “ROAR!” convinces the narrator and the other children of Imran’s true tiger nature, white fur and all. Readers may find deeper meaning in this story about self-definition and accepting others for who they say they are, though these messages are subtly conveyed; the true lures are the bantering dialogue between the child and Imran and Chung’s energetic artwork. Human characters have skin the color of the page; hairstyles imply diversity.

Catch this tiger tale at storytime. (Picture book. 3-6)

Pub Date: Sept. 16, 2025

ISBN: 9781771475464

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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