A heartfelt and thoughtful collection.
Feldman (The Angel of Losses, 2014) and Popkin (Everything Is Borrowed, 2018, etc.) gather a medley of diverse voices to reflect on politics, society, and culture in contemporary America.
Essays, poems, fiction, photographs, and cartoons bristle with emotion from contributors responding to issues they consider most urgent: racism, sexism, poverty, and injustice. Nancy Hightower, who grew up in the evangelical South, captures the tenor of the collection when she urges the church, academia, and publishing—which she sees as being largely white—to break down racial boundaries and become “filled with, and overflowing with diversity.” She suggests that “if those in the literary arts want to transform the landscape of America, they need to be better evangelicals.” By that, she means that they must “write and publish work that speaks to students in the Bronx and LGBTQ teenagers in Oklahoma.” Inclusivity, she asserts, would produce a “glorious rhetorical army” to resist the president “and his corrupt administration.” Not surprisingly, many contributors rail against Donald Trump. Fiction writer Carmen Maria Machado cites her observations of racism and homophobia as reasons she should have known that Trump would be elected president. Poet, novelist, and creative nonfiction writer Samira Ahmed, who was born in India, takes on racism, reporting that she has been called terrorist, rag head, and sand nigger. “You realize, too young, that racists fail geography,” she writes, “but that their epithets and perverted patriotism can still shatter moments of your childhood.” Keeping silent is no adequate response, she warns: “in this land of the free and home of the brave, you plant yourself. / Like a flag.” Cartoonist Liana Finck depicts a map of America with U.S. crossed out, substituted by T. H. E. M. Novelist Diane McKinney-Whetstone celebrates the “hopeful vibe” she felt when she participated in the Women’s March. Hope counters an undercurrent of despair for many contributors: “I don’t want to give up the struggle,” says a despondent individual drawn by Finck. “I want to win and move on.”
A heartfelt and thoughtful collection.Pub Date: July 27, 2018
ISBN: 978-1-4399-1624-7
Page Count: 240
Publisher: Temple Univ. Press
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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