Lighthearted and fluffy, this is both a wonderful immersion in Shakespeare and a great beach book.

THE TAMING OF THE DREW

What do Shakespeare, Clueless, and Punk’d have in common? This novel.

Cass, a Springsteen-loving white actress from New Jersey, just landed her pre-college dream job playing the lead in Taming of the Shrew at Vermont’s premier outdoor Shakespeare theater, which comes with the added bonus of escaping the aftermath of her parents’ tumultuous divorce. Much as 10 Things I Hate About You does on film, Strohm’s latest novel (Confederates Don’t Wear Couture, 2013, etc.) deftly fuses Shakespeare’s play about the battle of the sexes with pop culture and romantic comedy. Since the aforementioned play is actually performed onstage here rather than merely referenced, readers become audience members, drawn into the beauty of the Bard’s language and the zaniness of backstage drama. A car accident becomes a meet-cute with a sarcastic and infuriating New Yorker, who turns out to be Drew, her leading man in the upcoming production. To teach him a lesson, Cass decides to “tame” Drew by playing pranks on him, much as his character does to hers. While the plot outcome is to be expected, a novel of this sort is more about the journey than the destination, and Cass and Drew’s repartee makes the journey well worth taking. What this breezy novel captures particularly well is the joy of theater, which lets you “lose yourself in someone else’s life.” While the cast is not notably diverse, it does include many recognizable theater types.

Lighthearted and fluffy, this is both a wonderful immersion in Shakespeare and a great beach book. (Fiction. 14-18)

Pub Date: April 5, 2016

ISBN: 978-1-5107-0215-8

Page Count: 368

Publisher: Sky Pony Press

Review Posted Online: Jan. 20, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

IF HE HAD BEEN WITH ME

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: March 1, 2013

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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