Two teenage girls’ paths intersect at a low point in their lives, but where they go from there is anything but certain.
Danielle Washington and Camila Ortiz meet at Peach Tree Hills, a suburban residential treatment facility for adolescent girls outside Atlanta, where they’re roommates as well as the only brown-skinned girls. Originally from a well-off Black political family in Dallas, Dani’s relationship to addiction and dependency is the primary focus of her recovery, but her resentment toward her mother and how that impacts her sense of self is complicated even further by learning to be honest with herself. Similarly, Cams has self-harm tendencies that her Latin American parents—one a Colombian immigrant and one Mexican American—in small-town Georgia have struggled with for some time. Kuehn is careful not to offer easy answers for why both girls find themselves in overlapping and distinct moments of despair and desperation, self-harm and self-sabotage, but the connections among family, race, and the widespread societal harm inflicted upon young girls in particular are presented thoughtfully in the dueling narrations of these two deeply intelligent and expressive teens. Dani and Cams complement each other well as earnest storytellers and, eventually, reluctant friends, but their experiences are as raw as their struggles may feel futile. Still, the professionals in the novel provide a tremendous and optimistic amount of care.
An insightful, grounded, and compassionately messy meditation on adolescence, institutional support, and helping oneself. (content warning, resource list) (Fiction. 13-19)Pub Date: June 21, 2022
ISBN: 978-1-368-06410-1
Page Count: 320
Publisher: Disney-Hyperion
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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