Ill-conceived attempt to satirize the chick-lit genre.
Radical feminist editor takes over a women’s-fashion magazine.
Lessing's debut, She’s Got Issues (not reviewed), introduced Chloe Rose and Issues, a glossy fashion magazine. This sequel focuses on Chloe’s sister Zoe. Zoe Rose is hired as Deputy Editor at Issues, and her goal is to turn the publication into a feminist literary review. Zoe’s first act is to rename the magazine Miss Understanding. Her next step is to develop an editorial agenda that will delve into why it is that women are so mean to each other. Zoe never overcame grade-school ostracism—this is her vilify-the-popular-girls-who-terrorized-their-nerdy-classmates moment. In Lessing’s hands, Zoe is turned into an utter cliché—a friendless, combat-boot wearing feminazi. According to Zoe, anyone who cares a whit about his or her outward appearance is a Barbie-loving threat to female power. Zoe quickly alienates most of her staff and loses the majority of her readers. In what is offered up as irony, Zoe becomes pregnant. And guess what else? It’s a girl! Will Zoe be able to stick to her mission and save ignorant women from obsessing about all the wrong things while simultaneously suffering through every single unsavory side effect of pregnancy? Not a chance. Due to internal sabotage and Zoe’s incoherent articles, the magazine is doomed to failure. The only thing left to salvage are Zoe’s relationships with her boyfriend and family. Lessing fails to elevate her prose to the level required of satire. The book is neither funny nor clever, and the characters are either transparent or maddeningly quirky.
Ill-conceived attempt to satirize the chick-lit genre.Pub Date: Nov. 1, 2006
ISBN: 0-06-113388-4
Page Count: 352
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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