TENDER MOMENTS IN THE WILD

ANIMALS AND THEIR BABIES

The bonds of maternal love exist in the animal world as well as in the human one, touchingly illustrated by the double-paged photographs in this attractively designed work ideal for reading to a group. Each spread shows a photo of an animal mother caring for her baby in some way, with a total of 14 different animals interacting with their young. A brightly colored border around each shows that particular adult animal in a repeated silhouette pattern, with similar silhouettes repeated on bright gold endpapers. The simple text with rich, active vocabulary gives one sentence per spread following the same pattern of animal subject, caring action, and a descriptive phrase. (“A crocodile carries her babies carefully in her powerful jaws.”) Each sentence is printed in large, yellow type with the animal word distinguished in slightly larger, white type. Preschoolers will be fascinated by these spectacular photographs, including amazing views of a young pelican eating fish from the mother’s open mouth and an absolutely irresistible shot of a baby hippopotamus seeming to smile while splashing next to its mother. (Picture book. 2-6)

Pub Date: Sept. 1, 2001

ISBN: 0-9707768-0-2

Page Count: 32

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2001

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THE POUT-POUT FISH

The pout-pout fish, painted a suitable blue, is so named for his perpetual gloom: “I’m a pout-pout fish / With a pout-pout face, / So I spread the dreary-wearies / All over the place.” When a jellyfish complains about his “daily scaly scowl,” the glum fish agrees, but says his mood isn’t up to him. A squid, dubbing the fish “a kaleidoscope of mope,” receives the same defeatist answer, as do other sea creatures. Up to this point, the story is refreshing in that readers will no doubt recognize the pout-pout fish in their own lives, and in many cases, there’s just no cheering these people up. But the plot takes a rather unpalatable turn when a shimmery girl fish kisses the gloomster right on his pouty mouth. With that kiss, he transforms into the “kiss-kiss fish” and swims around “spreading cheery-cheeries all over the place,” meaning that he starts to smooch every creature in sight. (Don’t try this at school, kids, you’ll get suspended!) Still, there’s plenty of charm here, both in the playful language (“hulky-bulky sulking!”) and in the winning artwork—Hanna’s cartoonish undersea world swims with hilarious bug-eyed creatures that ooze personality. (Picture book. 3-6)

Pub Date: March 21, 2008

ISBN: 978-0-374-36096-2

Page Count: 32

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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  • SPONSORED PLACEMENT

A killer thriller.

THREE HOURS IN PARIS

Black takes time out from chronicling the neighborhood-themed exploits of half-French detective Aimée Leduc to introduce a heroine as American as apple pie.

Kate Rees never expected to see Paris again, especially not under these circumstances. Born and bred in rural Oregon, she earned a scholarship to the Sorbonne, where she met Dafydd, a handsome Welshman who stole her heart. The start of World War II finds the couple stationed in the Orkney Islands, where Kate impresses Alfred Stepney of the War Department with the rifle skills she developed helping her dad and five brothers protect the family’s cattle. After unimaginable tragedy strikes, Stepney recruits Kate for a mission that will allow her to channel her newly ignited rage against the Germans who’ve just invaded France. She’s parachuted into the countryside, where her fluent French should help her blend in. Landing in a field, she hops a milk train to Paris, where she plans to shoot Adolf Hitler as he stands on the steps of Sacre-Coeur. Instead, she kills his admiral and has to flee through the streets of Paris, struggling to hook up with the rescuers who are supposed to extract her. Meanwhile, Gunter Hoffman, a career policeman in a wartime assignment with the Reichssicherheitsdienst security forces, is charged with finding the assassin who dared attempt to kill the Führer. It’s hard to see how it can end well for both the cop and the cowgirl. The heroine’s flight is too episodic to capitalize on Black’s skill at character development, but she’s great at raising readers’ blood pressure.

A killer thriller.

Pub Date: April 7, 2020

ISBN: N/A

Page Count: 360

Publisher: Soho Crime

Review Posted Online: May 4, 2020

Kirkus Reviews Issue: May 15, 2020

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FROGGY GOES TO SCHOOL

Froggy's back (Froggy Learns to Swim, 1995, etc.) and on his first day of school, he wakes up late and goes to class in his underwear! No, that's only a dream—Froggy's parents wake him up just in time and they have breakfast together before leapfrogging to the bus stop. At school, Froggy gets a name tag, falls off his chair, and teaches the class—and the teacher—and the principal- -how to swim, an act that includes singing ``Bubble bubble, toot toot. Chicken, airplane, soldier.'' When his parents pick him up at the bus stop at the end of the day, they discover that he has forgotten his lunch box in school. `` `Oh, Froggy. Will you ever learn?' said his mother. `That's why I'm going to school, Mom!' '' The accessible writing has plenty of gratifying opportunities for funny sounds when read out loud, and is also endearingly wry: ``He liked his name. It was the first word he knew how to read. It was the only word he knew how to read.'' Remkiewicz's bright watercolors feature punchy, bouncy, bug-eyed animals wearing emphatically exaggerated expressions: This bunch is easy to love. (Picture book. 2-6)

Pub Date: Aug. 1, 1996

ISBN: 0-670-86726-8

Page Count: 32

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 1996

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