Next book

THE ARSONIST

A convoluted mystery that flavors the darkness of Elizabeth Wein’s Code Name Verity (2012) with the contrivances of Scooby...

Fire forges historical and contemporary connections among three troubled teens.

The three teen narrators could easily star in their own books. Instead, their voices and lives intertwine in an implausible plot full of coincidences and conveniently chatty villains. Rebellious white redhead Molly Mavity writes sarcastic, tense-shifting letters to her friend Pepper, who lies in a coma. Molly, whose arsonist father will soon be executed, is convinced her mother is alive—despite her suicide. Ibrahim “Pepper” Al-Yusef, a Kuwaiti immigrant with epilepsy and a comic-relief seizure pug, wryly weaves his views on everything from friendship to racism into a series of essays assigned by a long-suffering teacher as a condition of graduation. Both gradually reveal how they followed a stranger’s clues to Berlin in search of Ava Dreyman, a teen from the former East Germany who became an Anne Frank–esque symbol for the fall of the Berlin Wall. Ava, whose diary of resisting the Stasi, escaping to America, and finding romance ends with her murder in 1989, connects Molly and Pepper in a far-flung way. Though Ava’s accounts of oppression are chilling, Pepper’s awkwardness is endearing, and Molly’s grief is brutal, the mastermind’s far-fetched scheme and Molly and Pepper’s improbable stunts in Berlin ultimately muffle the strong voices of all three characters.

A convoluted mystery that flavors the darkness of Elizabeth Wein’s Code Name Verity (2012) with the contrivances of Scooby Doo. (Mystery. 14-18)

Pub Date: Aug. 22, 2017

ISBN: 978-0-8037-4071-6

Page Count: 496

Publisher: Dial Books

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

Next book

THAT'S NOT MY NAME

A gripping tribute to resilience.

A girl with amnesia and a boy suspected of harming his girlfriend overcome adversity to find the answers they seek.

A 17-year-old girl wakes up in a ditch, disoriented and with no memory of who she is or what happened. Found by the Alton, Oregon, police, she is brought to the station. Soon after, Wayne Boone, a man claiming to be her father, shows up. He has photos of her on his phone and her high school ID card, with the name Mary Boone. Wayne convinces the police to release Mary into his custody. The more time Mary spends with Wayne, however, the weirder things get: He’s unaware of her food allergy, and as her memories start to return, they don’t conform with Wayne’s versions of her life. In the town of Washington City, across the Willamette River, Drew is in a bad place. His girlfriend, Lola, has disappeared, and Drew was the last person to see her. His adoptive dads and cousin are the only ones who support him; everyone else, including the sheriff, thinks he’s responsible for Lola’s disappearance. Intent on finding Lola, Drew finds help in an unlikely ally, Lola’s best friend, Autumn, who is the sheriff’s daughter. But will they find Lola in time? The two immersive storylines bring to life the trials and frustrations each main character faces in this debut, which is a thrilling delight right up to the unexpected and bittersweet conclusion. Most characters are cued white; one of Drew’s dads is Guatemalan.

A gripping tribute to resilience. (Thriller. 14-18)

Pub Date: Dec. 26, 2023

ISBN: 9781728270111

Page Count: 304

Publisher: Sourcebooks Fire

Review Posted Online: Sept. 23, 2023

Kirkus Reviews Issue: Oct. 15, 2023

Next book

PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

Close Quickview