This sweet, emotionally perceptive book will help make any transition from old to new less scary.

HOME IS A WINDOW

A multiracial family leaves the comfort and warmth of their old home to establish a new one.

Ledyard’s story begins in the familiar environs of a family’s well-loved and -lived-in home. In gentle, rhythmic prose, Ledyard describes home in myriad ways, from the concrete—“Home is a window, a doorway, a rug, a basket for your shoes”—to the visceral—“Home is Hello, sweet pea, and a hug, a little bit of green” (the last in the form of house plants). Home is not just a house. Home is a place where the family gathers at the table, where mother and daughter wash, rinse, and dry, and where there is always someone to help sweep up a mess. Home is “what feels the same each day”—and also “sometimes what is new.” Houses may change, but home goes with you in the form of “an arm around you tight” and “all that you miss.” Eventually everything will fall into a place, with “a window, sunlight, a corner for your toys.” Sasaki’s rough-hewn illustrations in pencil and marker are cleverly backgrounded with white (to provide focus) and dark space (to evoke melancholy). And his earth-toned, muted palette pairs beautifully with Ledyard’s spare text and the story’s slow, languid pace. The mother presents white, the father presents black, and the two children—a boy and a girl—have brown skin.

This sweet, emotionally perceptive book will help make any transition from old to new less scary. (Picture book. 4-8)

Pub Date: April 23, 2019

ISBN: 978-0-8234-4156-3

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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Sweet, good-hearted fun.

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THE SOUR GRAPE

From the Food Group series

A recovering curmudgeon narrates life lessons in the latest entry in the punny Food Group series.

Grape wasn’t always sour, as they explain in this origin story. Grape’s arc starts with an idyllic childhood within “a close-knit bunch” in a community of “about three thousand.” The sweet-to-sour switch begins when Grape plans an elaborate birthday party to which no one shows up. Going from “sweet” to “bitter,” “snappy,” and, finally, “sour,” Grape “scowled so much that my face got all squishy.” Minor grudges become major. An aha moment occurs when a run of bad luck makes Grape three hours late for a meetup with best friend Lenny, who’s just as acidic as Grape. After the irate lemon storms off, Grape recognizes their own behavior in Lenny. Alone, Grape begins to enjoy the charms of a lovely evening. Once home, the fruit browses through a box of memorabilia, discovering that the old birthday party invitation provided the wrong date! “I realized nobody’s perfect. Not even me.” Remaining pages reverse the downturn as Grape observes that minor setbacks are easily weathered when the emphasis is on talking, listening, and working things out. Oswald’s signature illustrations depict Grape and company with big eyes and tiny limbs. The best sight gag occurs early: Grape’s grandparents are depicted as elegant raisins. The lessons are as valuable as in previous outings, and kids won’t mind the slight preachiness. (This book was reviewed digitally.)

Sweet, good-hearted fun. (Picture book. 4-8)

Pub Date: Nov. 1, 2022

ISBN: 978-0-06-304541-5

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 31, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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All we want for Christmas is a more coherent story.

THE CHRISTMAS PRINCESS

THE ADVENTURES OF LITTLE MARIAH

Singer Carey, whose “All I Want for Christmas Is You” is in near-constant rotation each holiday season, makes the leap to Christmas picture book with co-author Davis.

Little Mariah lives in a worn, shabby house in a wealthy neighborhood; though poor, she has a kind nature and musical talent—both of which ultimately save her. Taunted by a nasty brother-sister duo who enter her home uninvited, Little Mariah is distracted by snowfall and runs out into the nearby woods. The snow transforms into Snowflake Butterfly Fairies. Following these entrancing visions, she encounters a gang of bullies but, having tripped over a heart-shaped stone, she uses its magical properties for good in a convoluted series of events. The Butterfly Fairy Queen arrives and crowns Little Mariah the Christmas Princess for her “perfectly pure songs from the heart.” Back at Little Mariah’s house, which has been miraculously transformed, Little Mariah performs Carey’s uber-hit Christmas song. Overwritten, overwrought, overlong, and narrated in clunky verse, this holiday story, seemingly inspired by Carey’s early childhood and with “Little Match Girl” and “Cinderella” vibes, rambles while making its trite, albeit well-meaning, point. It will attract attention because of the star power of its co-author; note her empowering foreword. The colorful illustrations are cheery. Wide-eyed, blond-curled Mariah and the Fairy Queen have light-tan skin; Mariah’s mom and several other characters, including the bullying brother and sister, are pale-skinned; the fairies are diverse in skin tone. (This book was reviewed digitally.)

All we want for Christmas is a more coherent story. (Picture book. 4-7)

Pub Date: Nov. 1, 2022

ISBN: 978-1-250-83711-0

Page Count: 48

Publisher: Henry Holt

Review Posted Online: Aug. 17, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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