by Stephanie Parsley Ledyard ; illustrated by Chris Sasaki ‧ RELEASE DATE: April 23, 2019
This sweet, emotionally perceptive book will help make any transition from old to new less scary.
A multiracial family leaves the comfort and warmth of their old home to establish a new one.
Ledyard’s story begins in the familiar environs of a family’s well-loved and -lived-in home. In gentle, rhythmic prose, Ledyard describes home in myriad ways, from the concrete—“Home is a window, a doorway, a rug, a basket for your shoes”—to the visceral—“Home is Hello, sweet pea, and a hug, a little bit of green” (the last in the form of house plants). Home is not just a house. Home is a place where the family gathers at the table, where mother and daughter wash, rinse, and dry, and where there is always someone to help sweep up a mess. Home is “what feels the same each day”—and also “sometimes what is new.” Houses may change, but home goes with you in the form of “an arm around you tight” and “all that you miss.” Eventually everything will fall into a place, with “a window, sunlight, a corner for your toys.” Sasaki’s rough-hewn illustrations in pencil and marker are cleverly backgrounded with white (to provide focus) and dark space (to evoke melancholy). And his earth-toned, muted palette pairs beautifully with Ledyard’s spare text and the story’s slow, languid pace. The mother presents white, the father presents black, and the two children—a boy and a girl—have brown skin.
This sweet, emotionally perceptive book will help make any transition from old to new less scary. (Picture book. 4-8)Pub Date: April 23, 2019
ISBN: 978-0-8234-4156-3
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: Dec. 21, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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by Stephanie Parsley Ledyard ; illustrated by Jason Chin
by Matthew McConaughey illustrated by Renée Kurilla ‧ RELEASE DATE: Sept. 12, 2023
Charming and thought-provoking proof that we all contain multitudes.
Oscar winner McConaughey offers intriguing life observations.
The series of pithy, wry comments, each starting with the phrase “Just because,” makes clear that each of us is a mass of contradictions: “Just because we’re friends, / doesn’t mean you can’t burn me. / Just because I’m stubborn, / doesn’t mean that you can’t turn me.” Witty, digitally rendered vignettes portray youngsters diverse in terms of race and ability (occasionally with pets looking on) dealing with everything from friendship drama to a nerve-wracking footrace. “Just because I’m dirty, / doesn’t mean I can’t get clean” is paired with an image of a youngster taking a bath while another character (possibly an older sibling) sits nearby, smiling. “Just because you’re nice, / doesn’t mean you can’t get mean” depicts the older one berating the younger one for tracking mud into the house. The artwork effectively brings to life the succinct, rhyming text and will help readers make sense of it. Perhaps, after studying the illustrations and gaining further insight into the comments, kids will reread and reflect upon them further. The final page unites the characters from earlier pages with a reassuring message for readers: “Just because the sun has set, / doesn’t mean it will not rise. / Because every day is a gift, / each one a new surprise. BELIEVE IT.” As a follow-up, readers should be encouraged to make their own suggestions to complete the titular phrase. (This book was reviewed digitally.)
Charming and thought-provoking proof that we all contain multitudes. (Picture book. 5-8)Pub Date: Sept. 12, 2023
ISBN: 9780593622032
Page Count: 32
Publisher: Viking
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
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