Fascinating details about the workings of a theater and the art and craft of acting are woven into this story of a complicated family and an even more complicated ghost. Jared Kingsley, 14, leaves his beloved grandfather, Pop, who has just had a stroke, to live with the father he’s never known, the famous stage actor Phillip Kingsley. Kingsley is staging Richard III in a newly restored theater in Addison, Michigan, where Jared is thrust into a nest of unfamiliar and uncomfortable situations: his father and stepmother, Julia, are focused on the restoration of the theater and the play, his younger half-brother Tad is resentful of Jared’s sudden appearance in his life, and some of the actors are talking about the theater’s ghost. Jared makes the acquaintance of the ghost, Garrick Marsden, a 19th-century stage actor, finding him at first to be more agreeable than real people. Garrick, however, is dangerous, which Jared discovers only after his relationship with Tad deteriorates and as the two boys prepare to be “murdered” onstage in their roles in the play. Tolan (Welcome to the Ark, 1996, etc.) painlessly incorporates information about staging, interpretation, and Shakespeare; young thespians may like this even more than mystery fans will, for the emphasis on ghosts and theatrics often outstrips plotting and motives. (Fiction. 10-14)
Pub Date: Oct. 15, 1998
ISBN: 0-688-15394-1
Page Count: 214
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
Tales that “lay out your options for painful and interesting ways to die.” And to live.
In a similarly hefty companion to Percy Jackson’s Greek Gods (2014), the most voluble of Poseidon’s many sons dishes on a dozen more ancient relatives and fellow demigods.
Riordan averts his young yarn spinner’s eyes from the sex but not the stupidity, violence, malice, or bad choices that drive so many of the old tales. He leavens full, refreshingly tart accounts of the ups and downs of such higher-profile heroes as Theseus, Orpheus, Hercules, and Jason with the lesser-known but often equally awesome exploits of such butt-kicking ladies as Atalanta, Otrera (the first Amazon), and lion-wrestling Cyrene. In thought-provoking contrast, Psyche comes off as no less heroic, even though her story is less about general slaughter than the tough “Iron Housewives quests” Aphrodite forces her to undertake to rescue her beloved Eros. Furthermore, along with snarky chapter heads (“Phaethon Fails Driver’s Ed”), the contemporary labor includes references to Jay-Z, Apple Maps, god-to-god texting, and the like—not to mention the way the narrator makes fun of hard-to-pronounce names and points up such character flaws as ADHD (Theseus) and anger management issues (Hercules). The breezy treatment effectively blows off at least some of the dust obscuring the timeless themes in each hero’s career. In Rocco’s melodramatically murky illustrations, men and women alike display rippling thews and plenty of skin as they battle ravening monsters.
Tales that “lay out your options for painful and interesting ways to die.” And to live. (maps, index) (Mythology. 10-14)Pub Date: Aug. 18, 2015
ISBN: 978-1-4231-8365-5
Page Count: 416
Publisher: Disney-Hyperion
Review Posted Online: July 21, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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