A warm, funny book that will hearten kids with allergies.
A squirrel handles his nut allergy with aplomb—and a little help from his friends—in Sorkin’s debut picture book.
One day, Nutley the squirrel is simply eating “what a squirrel eats” when he has a strange reaction. He itches, puffs up and breaks out in hives, and soon, his fears are confirmed: He has an allergy. (In the illustration, he eats from a big bag of peanuts, which may make some young readers point out that real squirrels eat acorns; however, peanuts are a more familiar allergen in the human world.) In a series of friendly, if singsong, rhymes, Nutley turns out to be a smart little squirrel: He takes charge of his newly discovered allergy in a way that would make any pediatric allergist proud—by making a plan. He talks to his friends, asks for help and focuses on the favorite foods that he can still safely eat, such as gummy bears. At first, he worries that he’ll seem strange to others (“A squirrel allergic to nuts—how odd! / I thought I’d feel alone.”), but his friend the dog immediately speaks up (“I’m a dog allergic to bones!”). It also turns out that the pelican is allergic to fish; the bee, to pollen; and the fly, to stone fruit. Although the verse skips along at a merry pace, some rhymes occasionally fall flat (“Surprising as it is to all, / since I do live in a tree, / I must avoid peanuts and tree nuts / to keep myself healthy”). However, Sorkin’s tale manages to be instructive without being didactic and will likely prove to be a fun read for even allergy-free children. The illustrations engagingly portray Nutley and his crew of supportive friends as looking just as friendly and likable as they appear in the text.
A warm, funny book that will hearten kids with allergies.Pub Date: April 2, 2013
ISBN: 978-1620861585
Page Count: 30
Publisher: Mascot Books
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 15, 2014
Review Program: Kirkus Indie
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
With the same delightfully irreverent spirit that he brought to his retelling of "Little Red Riding Hood" (1987), Marshall enlivens another favorite. Although completely retold with his usual pungent wit and contemporary touches ("I don't mind if I do," says Goldilocks, as she tries out porridge, chair, and bed), Marshall retains the stories well-loved pattern, including Goldilocks escaping through the window (whereupon Baby Bear inquires, "Who was that little girl?"). The illustrations are fraught with delicious humor and detail: books that are stacked everywhere around the rather cluttered house, including some used in lieu of a missing leg for Papa Bear's chair; comically exaggerated beds—much too high at the head and the foot; and Baby Bear's wonderfully messy room, which certainly brings the story into the 20th century. Like its predecessor, perfect for several uses, from picture-book hour to beginning reading.
Pub Date: Sept. 1, 1988
ISBN: 0140563660
Page Count: 36
Publisher: Dial Books
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Aug. 15, 1988
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