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THE BEAR WHO WANTED TO DANCE

A classic ballet story infused with themes of body positivity and the importance of seeing oneself reflected in art.

A bear hopes to become prima ballerina.

Rita has always loved ballet. The young bear joins the intimidating Monsieur le Fox’s ballet class and meets a new friend, Wanda; they spend their days dreaming about a life in dance. When Monsieur le Fox announces his plan to host auditions for the class’s prima ballerina spot, Rita and Wanda practice dancing and read ballet magazines to prepare. Looking at the ballerinas in the magazines, as well as those in the posters on the walls, Rita comes to a realization: “These ballerinas don’t look anything like me!” Indeed, they are all lithe creatures like weasels, foxes, frogs, and rabbits. The simple story’s resolution relies on Wanda and Monsieur le Fox encouraging Rita rather than Rita independently coming to embrace “my beautiful, big-bear body.” For this reason, caregivers and educators may consider pairing this tale with Vashti Harrison’s Big (2023), which shares similar themes but features the protagonist as her own savior. The full-color illustrations are soft and inviting, with the bulk of the story taking place in a cozy forest rife with mushrooms, coniferous trees, and logs on which the ballerinas practice balancing. The endpapers show Rita in a variety of ballet poses, perhaps encouraging future dancers to begin their practice.

A classic ballet story infused with themes of body positivity and the importance of seeing oneself reflected in art. (Picture book. 3-7)

Pub Date: Oct. 7, 2025

ISBN: 9781664300767

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: Sept. 13, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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