Next book

OLGA’S STORY

THREE CONTINENTS, TWO WORLD WARS, AND REVOLUTION--ONE WOMAN’S EPIC JOURNEY THROUGH THE TWENTIETH CENTURY

A blend of family history and world history that starts out strong—the Russian years are by far the most compelling—but runs...

The life of a Russian grandmother, a woman in the wrong places at the wrong times.

Using family memorabilia, the recollections of friends and relatives, plus newspaper files and historical archives, British journalist Williams (Hongkong Bank, 1989, etc.) has pieced together a large portion of the life of her grandmother, Olga Yunter, who was born in 1890 in Siberia and died in 1973 in England. The homely details of life in Siberia in the early-20th-century fill the first chapters, but WWII and the Russian Revolution brought uncertainty, death and chaos, changing Olga’s life forever. After two of her brothers were killed in 1919, her father gave her a handful of rubies and gold nuggets to sew into her clothing, put her on a horse and sent her east to Vladivostok. Within a few months she was on the run again, this time to Tientsin, China, a city filled with Russian refugees also fleeing from the Reds. There, she learned English, and in 1923 married a young Englishman, Fred Edney, thereby gaining a certain security. Olga began transforming herself into a proper English housewife, one who was not, however, quite acceptable to Fred’s family back in England. Home leaves, granted every five years by Fred’s employer, were disappointing affairs. Still, life in the European sectors of Tientsin and later Shanghai was comfortable and relatively safe until 1940, when Japan signed a military alliance with Italy and Germany. Staying in China then became too dangerous, and once again, Olga was on the run, this time to Canada, where friends had offered refuge. The author gives scant coverage to the WWII years, to Olga’s 1945 reunion with her husband, interned by the Japanese, or to their subsequent life in Shanghai. By 1948, Communist forces were advancing, and Olga and her husband again fled, eventually finding sanctuary in England.

A blend of family history and world history that starts out strong—the Russian years are by far the most compelling—but runs out of steam long before Olga does.

Pub Date: June 21, 2005

ISBN: 0-385-50851-4

Page Count: 352

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2005

Next book

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

Next book

LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

Close Quickview