Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.
Pub Date: Feb. 4, 1999
ISBN: 0-671-02734-4
Page Count: 256
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
For a girl who is—by most standards—not perceived to be extraordinary, it is not easy living with a family of beautiful people. Jennifer Thayer both envies and resents her gourmet restaurateur/salad-dressing entrepreneur father, her industrial- psychologist mother who seems to care more about her work than about her younger daughter, and especially older sister Cass: lovely, talented, brainy, and preparing for marriage. Desperate for attention, Jennifer fakes an attempted rape, and at first, it works; for once in her life she is at center stage. Soon, however, the detective on the case figures out that something in the girl’s story isn’t right, and suspects that Jennifer’s mother has been abusing her. Caught up in the net of lies, Jennifer has to decide whether or not she can live with a growing sense of shame and guilt. Once again, Cadnum (Heat, 1998, etc.) has dissected the mind of one of society’s troubled young people, who has everything on the surface but is desperately trying to fill an unnamed emptiness. Deep, dark, and moving, this is a model tale of adolescent uneasiness set amid the roiling emotions of modern life. (Fiction. 12-14)
Pub Date: June 1, 1999
ISBN: 0-670-88377-8
Page Count: 167
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1999
A year in the life of a Baltimore boy provides the basis for a formidable portrait of urban American life. Eleven-year-old Sam Webber, usually known as Little Sam, abruptly becomes just plain Samuel when his father disappears without a trace. Hoping he was kidnaped (abandonment is the far more devastating, though likely, explanation), Sam is traumatized further by the move his mother’s forced to make from their pristine middle-class neighborhood to a rough area of town. A closet in their new home becomes the TV room, and Sam watches rain pour in through a leaky kitchen window. Completing the transformation of Sam’s old life to new is his attendance at an unfamiliar school full of bullies, pregnant teens, and, miraculously, Greely. A black janitor at the school, Greely notices Sam’s distress—the constant hyperventilation, the nausea, his obvious fears—and befriends the boy in a way that alters him profoundly. Greely tells Sam about the civil rights movement, tosses a football with him, takes him to the Little Tavern for burgers—in short, becomes a surrogate father. Others slowly fill the shoes Sam’s father left empty: His mother’s new boyfriend Howard, sharing comic books and companionship; and Junie and Ditch, his mother’s employers at the flower shop. In Sam’s second Baltimore, a skinned, gritty version of what he once knew, he comes into his own, no longer afraid of dirty streets or gangs of kids and slowly accepting the loss of his father as he learns to depend more on himself. Although his father never returns, others love and nurture Little Sam, leading to the emergence of a Sam who is less troubled. A warming exploration of fairly routine material, made attractive by newcomer Fuqua’s depiction of city life. (Author tour)
Pub Date: April 1, 1999
ISBN: 1-890862-02-9
Page Count: 240
Publisher: Bancroft Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
