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COMRADES

Name: COMRADES
Author: Stephen E. Ambrose
ISBN: 0-684-86718-4

BROTHERS, FATHERS, HEROES, SONS, PALS

by Stephen E. Ambrose ‧ RELEASE DATE: June 1, 1999

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A disappointingly sentimental celebration of male friendship that reveals almost nothing about the emotional lives of men. Bestselling historian Ambrose (Undaunted Courage, 1996, etc.) is a brilliant chronicler of public events, but his exploration of male friendship is exasperatingly shallow. How do young men become friends, according to Ambrose? They might “join the same fraternity, date the same or similar girls from the same sorority, play on the same [sports] teams, all things that lead to genuine connection.” As a University of Wisconsin freshman, Ambrose befriends a fraternity brother because “[w]e liked beer, we liked to sing when drunk, we liked girls” and enjoyed the outdoors. This hardly exhausts the infinite variety of male friendship. Ambrose portrays men as “comrades” in the public arena of sports, politics, and combat, but says little about the private roles men typically play—as nurturing fathers, perhaps, or supportive husbands. In Ambrose’s estimation, men bond by sharing a goal. The friendships Ambrose has chosen to celebrate are largely forged in wartime: soldiers hitting the beaches on D-Day, George Armstrong Custer and his brother Tom dying together at Little Big Horn, Crazy Horse and his warrior friend He Dog slaughtering Custer’s men, Dwight Eisenhower and George Patton working side by side to destroy the Nazi war machine. Ambrose recycles a lot of material from his previous books and throws in a few anecdotes about his own lifelong friendships. None of it plunges much below surface platitudes. We learn, for example, that Patton and Eisenhower “both had a deep interest in tanks and armored warfare.” But where are the men who simply enjoy each other’s company? A vaguely nostalgic and disorganized exploration meant, no doubt, as a Father’s Day gift book. Not Ambrose’s finest hour.

Pub Date: June 1, 1999

ISBN: 0-684-86718-4

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1999

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THIS VAST LAND
by Stephen E. Ambrose

- BOOK REVIEW
TO AMERICA
by Stephen E. Ambrose

- BOOK REVIEW
THE WILD BLUE
by Stephen E. Ambrose

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.