As fiction, it’s desultory; as memoir, though fascinating and sad, it makes the reader wish for the shaping of a novel.
A slim and bleak coming-of-age debut, set during the 1980s among orphans in Chicago.
Elliott deliberately lures the reader into interpreting the novel autobiographically by including an Author’s Note that succinctly summarizes the contents. Elliott, like narrator Paul, “left home at the age of thirteen and after a year sleeping on the roof of a convenience store on Chicago’s Northside, was made a ward of the court and channeled through various large and small group homes and institutional learning facilities.” Paul’s narrative begins in an apartment building’s hallway as he lies barely conscious and with slashed wrists; it ends about three years and a handful of group homes later as he resolves to make a new life in California. In between, there isn’t much structure, another reason for the book’s resembling autobiography: It moves from one episode to the next, eschewing conflicts that might offer dramatic shape while collecting mournful impressions of other lost teenagers Paul encounters along the way. The loose storyline and Chicago setting remind one of an Augie March with less richness of detail or variety of character. A few of Paul’s friends provide genuine interest, most engagingly Tanya (she burned her house down with her parents in it), with whom Paul runs away and settles, albeit briefly, in a suburban toolshed. While the two are separated early on, their relationship becomes the closest thing to a central plot event, though even it never quite comes to a head. Still, it would be difficult to read this narrative without being occasionally—and genuinely—moved by Paul’s abandonment and desperation. The refractory tone overall is captured by the epigraph: “Names have not been changed to protect the innocent. There are no innocent.”
As fiction, it’s desultory; as memoir, though fascinating and sad, it makes the reader wish for the shaping of a novel.Pub Date: Oct. 15, 2001
ISBN: 0-9673701-7-5
Page Count: 186
Publisher: MacAdam/Cage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
War is hell in this novel of inspired absurdity.
Hailed as heroes on a stateside tour before returning to Iraq, Bravo Squad discovers just what it has been fighting for.
Though the shellshocked humor will likely conjure comparisons with Catch-22 and Slaughterhouse Five, the debut novel by Fountain (following his story collection, Brief Encounters with Che Guevara, 2006) focuses even more on the cross-promotional media monster that America has become than it does on the absurdities of war. The entire novel takes place over a single Thanksgiving Day, when the eight soldiers (with their memories of the two who didn’t make it) find themselves at the promotional center of an all-American extravaganza, a nationally televised Dallas Cowboys football game. Providing the novel with its moral compass is protagonist Billy Lynn, a 19-year-old virgin from small-town Texas who has been inflated into some kind of cross between John Wayne and Audie Murphy for his role in a rescue mission documented by an embedded Fox News camera. In two days, the Pentagon-sponsored “Victory Tour” will end and Bravo will return to the business as usual of war. In the meantime, they are dealing with a producer trying to negotiate a film deal (“Think Rocky meets Platoon,” though Hilary Swank is rumored to be attached), glad-handing with the corporate elite of Cowboy fandom (and ownership), and suffering collateral damage during a halftime spectacle with Beyoncé. Over the course of this long, alcohol-fueled day, Billy finds himself torn, as he falls in love (and lust) with a devout Christian cheerleader and listens to his sister try to persuade him that he has done his duty and should refuse to go back. As “Americans fight the war daily in their strenuous inner lives,” Billy and his foxhole brethren discover treachery and betrayal beyond anything they’ve experienced on the battlefield.
War is hell in this novel of inspired absurdity.Pub Date: May 1, 2012
ISBN: 978-0-06-088559-5
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.
Glück’s international reputation as an accomplished and critically acclaimed contemporary poet makes the arrival of her new volume an eagerly anticipated event. This slender collection meets these expectations with 44 poems that pull the reader into a realm of meditation and memory. She sets most of them in the heat of summer—a time of year when nature seems almost oppressively heavy with life—in order to meditate on the myriad realities posed by life and death. Glück mines common childhood images (a grandmother transforming summer fruit into a cool beverage, two sisters applying fingernail polish in a backyard) to resurrect the intense feelings that accompany awakening to the sensual promises of life, and she desperately explores these resonant images, searching for a path that might reconcile her to the inevitability of death. These musings produce the kinds of spiritual insights that draw so many readers to her work: she suggests that we perceive our experiences most intensely when tempered by memory, and that such experiences somehow provide meaning for our lives. Yet for all her metaphysical sensitivity and poetic craftsmanship, Glück reaffirms our ultimate fate: we all eventually die. Rather than resort to pithy mysticism or self-obsessive angst, she boldly insists that death creeps in the shadows of even our brightest summers. The genius of her poems lies in their ability to sear the summertime onto our souls in such a way that its “light will give us no peace.”
A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.Pub Date: April 9, 2001
ISBN: 0-06-018526-0
Page Count: 80
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
BOOK REVIEW
BOOK REVIEW
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