A noisy thriller featuring a lot of evil-minded Republicans and money clanking in pockets.
Another nearly thrilling tale starring Wall Street buyout guru Christian Gillette (The Protégé, 2005), by former financial chief Frey.
In this latest manifestation, Gillette, the senator’s son, is in his early 40s. He’s still keeping a personal distance from Everest Capital partner Allison Wallace, the tall, blonde daughter of the famous investment family, but now he’s dabbling in politics, supporting the first African-American president, Jesse Wood. Summoning Gillette to Camp David, Wood needs help identifying a “good” group of insurgents in the power struggle that ensues in Cuba now that Castro is believed to be dead. Frey briskly cuts among several seemingly unconnected points of action, from the Oscar ceremony in Hollywood, where actress Melissa Hart has just won the Best Actress award and repudiates her famous director father in her speech; to Cuban surgeon Dr. Nelson Padilla’s shadowy political work in Havana as a member of the Los Secretos Seis (“The Secret Six”), who planning to undermine the military dictatorship with the support of the American government; to Republican shenanigans aiming to persuade powerful insurance matriarch Victoria Graham to undermine Gillette on his illegal Cuban mission and thereby replace him as head of Everest Capital. In a nutshell, everyone wants a piece of the powerful, charismatic, somewhat naïve Gillette, and he’s betrayed on all fronts, professionally and personally, especially in the alluring form of young Hart, shut out in Hollywood and hired by the conniving Graham to transform herself so convincingly into the character of poor wayward Beth Garrison that Gillette falls for her. Even his fiercely protective bodyguard and Everest protégé Quentin Stiles—reappearing in fine spirits here—can’t keep things from getting murkier and murkier. Frey’s action is typically rather far-fetched, the characters rather wooden.
A noisy thriller featuring a lot of evil-minded Republicans and money clanking in pockets.Pub Date: Jan. 23, 2007
ISBN: 0-345-48062-7
Page Count: 320
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2006
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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