Gentle, understated and comforting to both children and adults.
The final entry in the late Huneck’s series about Sally the black Labrador is a touching account of Sally’s death from old age and her joyous experiences in heaven.
On the opening page, Sally hears the front door close. She is in pain and no longer wants to eat. The dog spends her last day peacefully sleeping in the sun, and the next morning, “Sally wakes up in heaven.” There are three pearly gates in Huneck’s illustration: for “good people,” “good dogs” and “good cats.” Sally finds she is no longer in pain and that heaven is full of friendly dogs, along with surprising treats like gigantic piles of dirty socks and meatballs growing on bushes. There are no leashes or fences, and all kinds of animals are friends, with human companions always ready to throw a stick or scratch a tummy. In a satisfying conclusion, Sally wishes her family would adopt another dog, and a yellow Labrador joins the family she left behind. Huneck’s distinctive woodcuts with bold lines and simplified shapes ideally complement the restrained yet emotionally rich story. This stands alongside Cynthia Rylant’s Dog Heaven (1995) as recommended bibliotherapy for families who have experienced the death of a beloved dog and who wish to promote the notion of an afterlife.
Gentle, understated and comforting to both children and adults. (Picture book. 4-8)Pub Date: April 1, 2014
ISBN: 978-1-4197-0969-2
Page Count: 48
Publisher: Abrams
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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BOOK REVIEW
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