Next book

SAVING THE HEART

THE BATTLE TO CONQUER CORONARY DISEASE

Entertaining, enlightening, and often hair-raising: a history of the development of medical and surgical treatments for coronary-artery disease. Klaidman (Kennedy Institute of Ethics, Georgetown Univ.; Health in the Headlines, 1991, etc.) looks at how the contributions of various clinicians, biomedical engineers, and entrepreneurs developed the patchwork of options used by today’s physicians. His starting point is the 16th-century anatomists who first drew the details of the heart’s structure, showing the coronary arteries (those vessels that serve the heart muscle itself). He fast-forwards to 1912, when James Herrick published an article in the Journal of the American Medical Association in which, “by careful comparison of the symptoms of living patients to those who died and were shown to have blocked arteries, [he] demonstrated that coronary artery disease was recognizable in living patients.” Klaidman’s realistic description of how Werner Forssmann was able to perform the first cardiac catheterization—on himself!—in 1929 is particularly unsettling, but as the author makes clear, he was far from the only inventor—guinea pig working in this field. After tracing the development of the heart-lung machine and, from there, bypass surgery in all its incarnations, Klaidman pays homage to numerous individual heart patients who died to pave the way to the current state of the art—many lost during procedures that would not be allowed under today’s ethical guidelines. Then he addresses what sort of temperament and training make a successful cardiac surgeon. Throughout, his narrative is illustrated with gripping clinical accounts, like that of a man who woke up to feel “my chest . . . collapsing in on me. . . . I had a pain like someone had attached a 220 electric line to my chest. . . . I thought: ‘Well, this is really interesting, it’s 6:20 a.m. and I’m having a heart attack.—” This patient’s treatment and prognosis make clear what advances in heart treatment mean in human terms. An eye-opening account, tied in to today’s reality.

Pub Date: Jan. 1, 2000

ISBN: 0-19-511279-2

Page Count: 272

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview