An absolutely drop-dead gorgeous edition of the beloved Andersen tale. Mitchell hews very closely to the language and cadences of the original: What this means is a measured and rich text, excellent for reading aloud if not for very young children. Johnson and Fancher make mixed-media and collage images of powerful beauty. Every page is spectacular—even the narrative pages have spot illustrations (large in this format) and background textures in green (which the text tells us is “good for the eyes”). A rather distracted mother duck notes that one egg looks different from the others, and hatches later. That “duckling” is so ugly that his siblings and all the other farm animals persecute it violently, until it runs away to spend the winter first in a tumbledown cottage and then on its own. When spring finally arrives, he recognizes himself in the magnificent white swans like the one he has become. The artists do wonderful things with texture: Feathers, water and grasses are made of collage bits that range from lace to marbled paper to paint to cloth. The pictures have great depth, not only in terms of perspective but in how they draw the eye and heart to pore over every detail. Simply exquisite. (Picture book/fairy tale. 5-9)
Pub Date: Jan. 1, 2008
ISBN: 978-0-7636-2159-9
Page Count: 40
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2007
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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