A truly definitive look at a bluegrass legend and the scene that produced him.
An exhaustively researched profile of bluegrass legend John Duffey (1934-1996) that covers not only his life in music, but also those of his colleagues and contemporaries.
Duffey was a musician and singer who founded the important bluegrass groups The Country Gentlemen and The Seldom Scene. But even in the late 1950s, when The Country Gentlemen were forming, Duffey felt that the popular bluegrass sound was starting to get stale. When the band started recording in the early ’60s, he pushed them to incorporate more modern sounds to accommodate the folk boom. Purists scoffed, but it allowed the band to play a wider variety of clubs. That’s also when Duffey realized that entertaining a crowd took showmanship as well as musicianship, and he encouraged the band members to do things like play an agonizingly slow version of the usually fast-paced song “Cripple Creek.” Duffey also had some quirks of his own, and the authors collected extensive quotes from his friends and band mates that describe them. The Country Gentlemen were limited by Duffey’s fear of flying and his love of bowling, for example—both of which may have factored into his quitting the band in 1969. That didn’t last long, though, and Duffey pushed the boundaries of bluegrass again with The Seldom Scene in the early ’70s. Moore (co-author: Cerphe’s Up, 2016, etc.) and Keplinger (Film/Stevenson Univ.) also devote considerable time to their subject’s band mates, such as Charlie Waller, Eddie Adcock, and Tom Gray, as well as fringe figures in Duffey’s story, including musician Buzz Busby, photographer Carl Fleischhauer, and bluegrass luminary Ralph Stanley, who respected Duffey’s ability but not his off-the-cuff personal style. It’s obvious from the first chapter of this book that Moore and Keplinger aim to spare no details. They even start with a short history of Washington, D.C.’s Columbia Hospital for Women, where the musician was born, and include a photocopy of the hospital birth certificate. The book is roughly chronological from there, occasionally circling back to offer a different perspective on a particular story or some additional background. As a result, the authors leave very little untouched, right down to what Duffey preferred to eat for breakfast when he was hungry (six eggs, fatback, and buttered toast) and when he wasn’t (four eggs, fatback, and buttered toast). Despite the copious detail, however, the book offers a rich and entertaining musical history of the bluegrass scene as well as more academic materials, including an essay by Robert Kyle on Duffey’s Irish roots and a lengthy discography. Throughout, the authors’ prose is straightforward, but it can be a bit dry, as when they devote a single paragraph to breakthrough surgery that was used to restore Adcock’s playing ability but offer no quotes from the man himself about the experience. Also, when they use Duffey’s own words, they frequently and distractingly italicize them throughout the book rather than more smoothly working them into the text.
A truly definitive look at a bluegrass legend and the scene that produced him.Pub Date: April 25, 2019
ISBN: 978-1-63263-840-3
Page Count: 430
Publisher: Booklocker.com, Inc.
Review Posted Online: June 19, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A former head writer for ``Late Night with David Letterman'' satirizes popular ``happiness materials'' (books, calendars, etc.) with her own entertaining (self-) investigations. Markoe (What the Dogs Have Taught Me, not reviewed) treads somewhere between the absurdism of Dave Barry and the intricacies of Henry Alford, with her own L.A. female spin. Each of her 33 brief chapters begins with a ``happiness hint,'' followed by her own efforts to follow the advice. So ``extend a social invitation to someone you've always been afraid to approach'' leads, natch, to dinner—courtesy of a TV Guide assignment—with the famous-chested Fabio, who bravely annotates his publicity photos for Markoe. Following the counsel of doyenne Martha Stewart on selecting a party theme, the author determines that, given her chaotic table settings and decorations, her theme should be ``the breakup of the Soviet Union.'' Deciding to take a new class, Markoe ends up at a session for would-be dominatrixes (``I realize I'm not in Comp. Lit. anymore''). Her muse guides her through a Medieval Times dinner, a meditation on pets, a close analysis of answering machine messages, and a visit with a psychic interior decorator. Markoe's targets are within the safe maw of mainstream pop culture; only occasionally does she exhibit real bite: when analyzing Madonna's book Sex, she tags la Ciccone as ``the world's first self-employed centerfold,'' and after going to see the play The Real Live Brady Bunch, she observes, ``All that binds us is shared dopey media experience.'' Well, that's a good reason to make fun of it, and for Markoe to try harder when a few efforts—like a satire on the Amy Fisher movies and a tour of movie star homes—go limp. Chuckleworthy in small doses—and a strong argument for caution. (Author tour)
Pub Date: Oct. 1, 1994
ISBN: 0-670-85332-1
Page Count: 224
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
A fascinating and vital, if lopsided, record of an important conflict in British military history.
Intimidatingly researched, Kenney’s absorbing account of the Falklands War’s iconic Battle of Goose Green manages the weight of its subject with sobriety and pathos, if not consistent objectivity.
Twenty-five years after the Falklands War, Kenney’s meticulous rendering of this strategically pointless battle illuminates with minute detail the hows, wheres and whos, if not the whys, of a war that most historians agree should not have occurred. The author’s passion for the subject is palpable, and his factual legwork impressive. Gathering a broad array of sources, Kenney determinedly sets the stage for the central conflict between Thatcher-era Britain and junta-led Argentina. The account begins with past Falklands conflicts, trots out the major players and sheds light on the messy political obsessions leading up to the war. With as much detail as Kenney packs into the pages–in addition to seven chapters, the book contains five appendices, comprehensive chapter notes, a 12-page bibliography and an index–readers may expect the tone to favor data over author presence, but that’s not the case here. Kenney adulates Lieutenant Colonel Herbert Jones, commanding officer of the 2nd Battalion of the Parachute Regiment, as the emblematic British war hero, and General Leopoldo Galtieri, the military president of Argentina, draws the author’s full scorn, especially in a disdainful afterword. When the Battle of Goose Green and Darwin Hill arrives halfway through the narrative, Kenney renders British casualties with equal parts deep respect for heroism and clear frustration at its futility. By this point, it becomes evident that the hardscrabble soldiers of 2 Para–the “Toms,” here given voice through painstakingly footnoted source material–merit a greater share of the attention that the author distributes to Jones.
A fascinating and vital, if lopsided, record of an important conflict in British military history.Pub Date: April 3, 2006
ISBN: 0-9660717-1-9
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
