Evoking a not exactly unfamiliar chapter of 20th-century history, Kiernan succeeds in engagement but not much originality.
While Europe awaits liberation from Hitler’s troops, one small Normandy village is held together by the resourcefulness of a 22-year-old woman with a talent for baguettes.
Through the hungry, despairing years of the Nazi occupation, hopes of an Allied invasion give most of the inhabitants of Vergers, a French northern coastal community, something to live for, but not baker Emmanuelle. “They will never come,” she repeats, burdened by the deportations and deaths of those she loves. Yet, despite her pessimism, Emma is waging her own one-woman war effort, bartering and distributing eggs, dribbles of petrol, and secret extra loaves to keep the village alive. Kiernan’s (The Hummingbird, 2015, etc.) portrait of the terrors and systematic cruelty of German rule is rooted in fact but softened by the conventions of the genre. There’s light humor, like a pigpen too smelly for the Nazis to search, and then there’s the cast of more-or-less predictable characters. The Germans, seemingly conscripted from central casting, are either cloddish or cunning (“The colonel…a bald man, who kept his monocle in place by maintaining a constant sneer”), while Emma and her community tend to follow stereotype: Resistance stalwarts, turncoats, beauties, and wise elders. When the D-Day landing does eventually begin, Emma, in special peril since her deceptions have been exposed by a dastardly Nazi captain, must finally accept that change has arrived. In fact she is brought to tears by witnessing the sacrifice of “whole cities of men” so that she, her family, friends, and neighbors can live freely, and here the novel does achieve emotional resonance before returning to more well-worn dramatic turns and heroics.
Evoking a not exactly unfamiliar chapter of 20th-century history, Kiernan succeeds in engagement but not much originality.Pub Date: May 2, 2017
ISBN: 978-0-06-236958-1
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
At the outset, this might seem like minor Morrison (A Mercy, 2008, etc.), not only because its length is borderline novella,...
A deceptively rich and cumulatively powerful novel.
At the outset, this might seem like minor Morrison (A Mercy, 2008, etc.), not only because its length is borderline novella, but because the setup seems generic. A black soldier returns from the Korean War, where he faces a rocky re-entry, succumbing to alcoholism and suffering from what would subsequently be termed PTSD. Yet perhaps, as someone tells him, his major problem is the culture to which he returns: “An integrated army is integrated misery. You all go fight, come back, they treat you like dogs. Change that. They treat dogs better.” Ultimately, the latest from the Nobel Prize–winning novelist has something more subtle and shattering to offer than such social polemics. As the novel progresses, it becomes less specifically about the troubled soldier and as much about the sister he left behind in Georgia, who was married and deserted young, and who has fallen into the employ of a doctor whose mysterious experiments threaten her life. And, even more crucially, it’s about the relationship between the brother and his younger sister, which changes significantly after his return home, as both of them undergo significant transformations. “She was a shadow for most of my life, a presence marking its own absence, or maybe mine,” thinks the soldier. He discovers that “while his devotion shielded her, it did not strengthen her.” As his sister is becoming a woman who can stand on her own, her brother ultimately comes to terms with dark truths and deep pain that he had attempted to numb with alcohol. Before they achieve an epiphany that is mutually redemptive, even the earlier reference to “dogs” reveals itself as more than gratuitous.Pub Date: May 8, 2012
ISBN: 978-0-307-59416-7
Page Count: 160
Publisher: Knopf
Review Posted Online: March 4, 2012
Kirkus Reviews Issue: March 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
This is historical adventure on a grand scale, right up there with the works of Conn Iggulden and Minette Walters.
Plenty of gore from days of yore fills the 12th entry in Cornwell’s The Last Kingdom series (War of the Wolf, 2018, etc.).
The pagan warlord Uhtred of Bebbanburg narrates his 10th-century adventures, during which he hacks people apart so that kingdoms might be stitched together. He is known to some as the Godless or the Wicked, a reputation he enjoys. Edward, King of Wessex, Mercia, and East Anglia is gravely ill, and Uhtred pledges an oath to likely heir Æthelstan to kill two rivals, Æthelhelm and “his rotten nephew,” Ælfweard, when the king dies. Uhtred’s wife, Eadith, wants him to break that oath, but he cannot live with the dishonor of being an oathbreaker. The tale seems to begin in the middle, as though the reader had just turned the last page in the 11th book—and yet it stands alone quite well. Uhtred travels the coast and the river Temes in the good ship Spearhafoc, powered by 40 rowers struggling against tides and currents. He and his men fight furious battles, and he lustily impales foes with his favorite sword, Serpent-Breath. “I don’t kill the helpless,” though, which is one of his few limits. So, early in the story, when a man calling himself “God’s chosen one” declares “We were sent to kill you,” readers may chuckle and say yeah, right. But Uhtred faces true challenges such as Waormund, “lord Æthelhelm’s beast.” Immense bloodletting aside, Cornwell paints vivid images of the filth in the Temes and in cities like Lundene. This is mainly manly fare, of course. Few women are active characters. The queen needs rescuing, and “when queens call for help, warriors go to war.” The action is believable if often gruesome and loathsome, and it never lets up for long.
This is historical adventure on a grand scale, right up there with the works of Conn Iggulden and Minette Walters.Pub Date: Nov. 26, 2019
ISBN: 978-0-06-256321-7
Page Count: 336
Publisher: HarperCollins
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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