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SCURVY

HOW A SURGEON, A MARINER, AND A GENTLEMAN SOLVED THE GREATEST MEDICAL MYSTERY OF THE AGE OF SAIL

Splendid popular history. (Illustrated throughout)

A spirited, stimulating account of how the cure for the feared disease was found, lost, and found again.

Scurvy can strike anyone whose diet lacks vitamin C, writes naval historian Bown (Sightseers and Scholars, not reviewed), but it became a scourge during the Age of Sail, when perhaps two million seafarers died from its effects. The author pursues the disease’s history on two fronts: how scurvy’s treatment hinged on the slow evolution of medical science, and the pivotal role played by the social and political connections of those proposing remedies for the disease. In fleet prose, Bown introduces both drama and incredulity into the mix. Lemon juice was used to defeat scurvy as early as 1593, and mariners of the Dutch East India Company drank it routinely into the 1630s. By the end of the 17th century, however, “the notion that scurvy was caused by foul vapors or an imbalance in the bodily humours had replaced the practical, commonsensical observations of seamen, much to the detriment of mariners.” James Lind, a ship’s surgeon who conducted controlled experiments, identified citrus juice as the cure for scurvy in 1753, but his work was contradicted by other respected, influential physicians who had the ear of men with the power to do something about the conditions that caused the disease . . . and did the wrong thing. Although the explorer James Cook, who had an instinctive regard for hygiene and diet, led scurvy-free voyages in the 1760s and ’70s, he was unsure about the most effective antiscorbutic. Not until 1795, when fashionable and well-connected physician Gilbert Blane persuaded naval authorities to issue daily rations of lemon juice to all sailors was scurvy conquered once and for all. Bown also describes how the disease played a significant role in international affairs, particularly in the outcomes of the American Revolution and the defeat of the French navy by the British in the late 18th century.

Splendid popular history. (Illustrated throughout)

Pub Date: March 17, 2004

ISBN: 0-312-31391-8

Page Count: 256

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2004

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CLEANING UP

THE EXXON VALDEZ CASE, FROM 3 DRINKS TO 5 BILLION DOLLARS

A blow-by-blow account of legal actions taken against the Exxon Corporation in the wake of the March 23, 1989, Exxon Valdez disaster. Reading this book by attorney/novelist Lebedoff (Ward Number Six, 1972) is much like watching one of the new-realism courtroom dramas on network TV: The pace is hectic; the actors are strapping he-men or (as Lebedoff writes of a young prosecutor) doubles for Daryl Hannah, their characters transparently evil or good; and the script is packed with enough technical detail to satisfy the demand for verisimilitude. Thus, you will learn how lawyers bill clients for their time, how legal reputations are made and broken, and even how toxicologists determine hours after the fact how much alcohol a person may have consumed before, say, an arrest for reckless driving. The last issue was key to the notorious Valdez case, in which Captain Joseph Hazelwood, not long after consuming numerous shots of distilled spirits, left the bridge of the oil tanker he commanded, ordering a subordinate to steer it past a dangerous reef off the Alaska coast. The untested subordinate steered the massive ship onto the rocks; millions of gallons of oil spilled into the waters, ruining ecosystems and fisheries. Lebedoff's hero, plaintiff's attorney Brian Boru O'Neill, instantly leaps into action, arguing that Exxon knew Hazelwood was an alcoholic and that the company itself was therefore responsible for the huge environmental disaster. Through twists and turns of argument, which take up most of the book, O'Neill comes to convince a dozen jurors of the justice of his cause—and to extract a $5 billion settlement against the petroleum giant. Why that sum, the largest ever awarded in a class-action suit? Lebedoff explains the calculus down to the last cent, which should make this book of particular interest to budding attorneys. Lebedoff's narrative is far more satisfying than any John Grisham concoction, and it affords an illuminating look at the legal system today.

Pub Date: Nov. 1, 1997

ISBN: 0-684-83706-4

Page Count: 336

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1997

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HEMINGWAY AND HIS CONSPIRATORS

HOLLYWOOD, SCRIBNERS, AND THE MAKING OF AMERICAN CELEBRITY CULTURE

Though an entire book could be devoted to Hemingway's ambition or the cultivation of his popular persona, Leff's truncated work is too much a biographical recap. ``I want, like hell, to get published,'' the unknown Parisian expatriate confessed to a correspondent in 1923, long before he would become America's greatest authorial personality. Leff (Film and Literature/Oklahoma State Univ.) suggests that to do so, Hemingway made a Faustian deal with popular culture, ``cultivat[ing] publicity even as he pretended to scorn it''—the kind of publicity available through having bestsellers, serializing in Scribner's magazine, and selling rights to the Book-of-the-Month Club, Broadway, and Hollywood. Hemingway's career began as the all-American cult of personality was born, promoted by Time magazine, radio, and the movie industry. Leff brings up some interesting points, such as Time's puffing of the new author's image as an adventurer in its review of In Our Time, or the parallel reviewers drew (to Hemingwya's annoyance) between the nymphomaniac heroine of the cheaply bestselling The Green Hat and Lady Brett Ashley in The Sun Also Rises. Mostly, Leff sticks close to familiar biographical material rather than analyzing the context, or the apparatuses, of Hemingway's rise to prominence. Leff, the author of studies on movie mogul David O. Selznick and Hayes-era censorship, does better toward his book's end, discussing the production of the 1932 film version of A Farewell to Arms. Hemingway was irritated to see studio PR rehashing the inaccuracies of his legend, but he was also taken in by Gary Cooper playing Frederic Henry, who was based, of course, on Ernest Hemingway. However, at the point where novelist's fame is secured, Leff abruptly leaves off, compressing the rest of his life into an afterword, almost impatient for the author to ride off into immortality. (illustrations not seen)

Pub Date: Oct. 1, 1997

ISBN: 0-8476-8544-6

Page Count: 224

Publisher: Rowman & Littlefield

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1997

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