A compelling, visionary must-read for literary sci-fi fans that recalls genre classics by Frederik Pohl and Arthur C. Clarke.
In Australian author Renneberg’s (The Siren Project, 2012) blockbuster science-fiction thriller, humanity comes in contact with a vastly advanced alien race.
When an apparent meteor falls in a remote area of Australia’s Northern Territory, a diverse group of people heads off to investigate the site, including a zoologist who ran a research station that had all of its metal removed by an unidentified flying object; a band of beer-swilling hunters; an Aborigine hunter; and an elite military team that specializes in dealing with extraterrestrials. The fallen object turns out not to be a meteorite at all, but a massive alien mother ship that has inexplicably crash-landed. It soon becomes apparent that the aliens have begun to mine the area with drones and seem to be building a breathtakingly large defensive bridgehead. Some of the humans want to study the aliens and attempt to communicate with the crash survivors, while others want to simply nuke them off the face of the Earth. But two questions remain: What do these aliens want, and why are they here? Renneberg seamlessly and brilliantly intertwines his storylines (and includes a vivid and fascinating description of the aliens’ back story) while also examining humankind’s myriad shortcomings. First-contact stories are common in science fiction, but Renneberg’s highly original novel successfully avoids clichés while also providing a highly readable, breakneck-paced story. Readers will likely enjoy its bombshell plot twists and its fitting (and mind-blowing) conclusion.
A compelling, visionary must-read for literary sci-fi fans that recalls genre classics by Frederik Pohl and Arthur C. Clarke.Pub Date: June 17, 2013
ISBN: 978-0987434739
Page Count: 592
Publisher: CreateSpace
Review Posted Online: July 5, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Review Program: Kirkus Indie
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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