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SIGN OFF

This book is heavy on concept and light on execution, and readers may be yawning before the end

Characters from familiar road signs come to life at night and get up to a bit of mischief in this nearly wordless book.

The leaping deer reaches up to sample the leaves from a tree; the farmer and tractor get busy plowing in the cornfield; the person who uses a wheelchair wheels away; the road-crew worker creates a sand castle with their shovel; the school child in trousers woos the one in a skirt with a flower; the running “[child] at play” goes for a swing; the two children on the seesaw pull down the toy and join the others in a quaint procession as they march up a hill together. The group removes the yellow circle from a traffic-signal sign and use the seesaw to fling it into the sky, where it becomes…the rising sun. They celebrate and then disperse. As a school bus approaches at the end, the deer is back in its place on the sign, leaving readers to infer the others are on their signs as well. The stark, computer-drawn landscapes are clearly intended to coordinate with the black silhouettes of the road-sign figures; however once readers get the premise, there is not much else to engage their attention, since the vast majority of this unusually long book is occupied by buildup.

This book is heavy on concept and light on execution, and readers may be yawning before the end . (Picture book. 3-6)

Pub Date: May 7, 2019

ISBN: 978-1-5344-1210-1

Page Count: 56

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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DIGGER, DOZER, DUMPER

While there are many rhyming truck books out there, this stands out for being a collection of poems.

Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.

Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.

While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)

Pub Date: Aug. 27, 2013

ISBN: 978-0-7636-5078-0

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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