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SIGN OFF

This book is heavy on concept and light on execution, and readers may be yawning before the end

Characters from familiar road signs come to life at night and get up to a bit of mischief in this nearly wordless book.

The leaping deer reaches up to sample the leaves from a tree; the farmer and tractor get busy plowing in the cornfield; the person who uses a wheelchair wheels away; the road-crew worker creates a sand castle with their shovel; the school child in trousers woos the one in a skirt with a flower; the running “[child] at play” goes for a swing; the two children on the seesaw pull down the toy and join the others in a quaint procession as they march up a hill together. The group removes the yellow circle from a traffic-signal sign and use the seesaw to fling it into the sky, where it becomes…the rising sun. They celebrate and then disperse. As a school bus approaches at the end, the deer is back in its place on the sign, leaving readers to infer the others are on their signs as well. The stark, computer-drawn landscapes are clearly intended to coordinate with the black silhouettes of the road-sign figures; however once readers get the premise, there is not much else to engage their attention, since the vast majority of this unusually long book is occupied by buildup.

This book is heavy on concept and light on execution, and readers may be yawning before the end . (Picture book. 3-6)

Pub Date: May 7, 2019

ISBN: 978-1-5344-1210-1

Page Count: 56

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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DIGGERSAURS

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...

Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.

The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)

Pub Date: April 2, 2019

ISBN: 978-1-9848-4779-9

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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DIGGER, DOZER, DUMPER

While there are many rhyming truck books out there, this stands out for being a collection of poems.

Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.

Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.

While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)

Pub Date: Aug. 27, 2013

ISBN: 978-0-7636-5078-0

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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