This book is heavy on concept and light on execution, and readers may be yawning before the end
Characters from familiar road signs come to life at night and get up to a bit of mischief in this nearly wordless book.
The leaping deer reaches up to sample the leaves from a tree; the farmer and tractor get busy plowing in the cornfield; the person who uses a wheelchair wheels away; the road-crew worker creates a sand castle with their shovel; the school child in trousers woos the one in a skirt with a flower; the running “[child] at play” goes for a swing; the two children on the seesaw pull down the toy and join the others in a quaint procession as they march up a hill together. The group removes the yellow circle from a traffic-signal sign and use the seesaw to fling it into the sky, where it becomes…the rising sun. They celebrate and then disperse. As a school bus approaches at the end, the deer is back in its place on the sign, leaving readers to infer the others are on their signs as well. The stark, computer-drawn landscapes are clearly intended to coordinate with the black silhouettes of the road-sign figures; however once readers get the premise, there is not much else to engage their attention, since the vast majority of this unusually long book is occupied by buildup.
This book is heavy on concept and light on execution, and readers may be yawning before the end . (Picture book. 3-6)Pub Date: May 7, 2019
ISBN: 978-1-5344-1210-1
Page Count: 56
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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