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AS THE CITY SLEEPS

Like Chris Van Allsburg’s Mysteries of Harris Burdick (1984) but on a single thematic track, the latest from Johnson (The Range Eternal, p. 1222, etc.) offers a series of late-night urban scenes, to which mysterious lights, spectral figures, strange creatures and other nape-prickling features have been added. Increasing the sense of mystery are elliptical captions on the opposite page: “STRANGE PETS / out for some fresh air,” “THE LEAVES / There was no wind,” and the like. What makes these cityscapes particularly pulse-elevating is the photographic realism with which the darkened streets and silhouetted buildings—not to mention the huge snake disappearing down a manhole, the prehistoric reptile soaring high overhead, or the monkeys suddenly departing an elaborately framed jungle painting—are rendered. Occasional fogging or smearing adds even more atmosphere to these deliciously chilling tableaus. Perfect for creative-writing groups, after all, what is one to make of “Ghost Riders / Last seen in 1906, they vanished without a trace” set opposite a spectral train car packed with riders? Nighty-night, city dwellers. (Picture book. 7-9)

Pub Date: Oct. 1, 2002

ISBN: 0-670-88940-7

Page Count: 32

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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HORRIBLE HARRY AT HALLOWEEN

Every year since kindergarten, Harry’s Halloween costume has gotten scarier and scarier. What’s it going to be this year? He’s not telling. His classmates are all stunned when he shows up, not as some monster or a weird alien (well, not really)—but as neatly dressed Sgt. Joe Friday of Dragnet fame, wielding a notebook and out to get “just the facts, ma’am.” As she has in Harry’s 11 previous appearances (15, counting the ones his classmate Song Lee headlines), Kline (Marvin and the Mean Words, 1997, etc.) captures grammar-school atmosphere, personalities, and incidents perfectly, from snits to science projects gone hilariously wrong. She even hands Harry/Friday a chance to exercise his sleuthing abilities, with a supply of baby powder “fairy dust” gone mysteriously missing. As legions of fans have learned to expect, Harry comes through with flying colors, pinning down the remorseful culprit in 11 minutes flat. No surprises here, just reliable, child-friendly, middle-grade fare. Illustrations not seen. (Fiction. 7-9)

Pub Date: Sept. 1, 2000

ISBN: 0-670-88864-8

Page Count: 64

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2000

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