A novel that artfully spans two cultures, from a talented new author ready to take wing.
Tritto’s sparkling debut novel succeeds as a gripping tale of one man’s self-discovery.
Tritto, a veteran short story author, tells the story of Anthony Bartolo, a product manager for a high-tech firm. He and his wife, Bernadette, a buyer for an upscale department store, are DINKs—dual incomes, no kids—living well in the suburbs, as are the couples with whom they socialize. By most standards, Anthony should be content, but he still feels unfulfilled—a good thing, narratively speaking, since these characters are fairly unappealing early in the novel. Then life throws some changes at the Bartolos and their friends. Anthony is blindsided when he loses his job, which leaves him casting about for what he wants to do with his life. Such ruminations could come off as whiny, but in Tritto’s capable hands, Anthony blossoms. A member of their group dies while doing charitable work in El Salvador, and Anthony, the only one with time on his hands, volunteers to retrieve his remains. In fact, he selfishly does so without consulting Bernadette, further threatening their crumbling relationship. Anthony’s worldview changes once he lands in the Central American country, which is populated by believable characters, including his guide, Col. Juan Hernandez, a former rebel leader who serves as security for Anthony during his trip. While Anthony jumps through bureaucratic hoops in order to take his friend home, he learns to appreciate the ways of El Salvador while navigating its dangers and tragedies. Anthony arrives in El Salvador as a well-meaning but sometimes-ugly American, yet he comes back a changed man, bearing precious cargo: not only his friend’s body, but also a secret from his friend’s other life. Anthony doesn’t know what he wants to do, but he knows he doesn’t want his old life. Tritto helps Anthony evolve from a self-absorbed yuppie to a man more empathetic to those around him, a man readers can root for even if he still doesn’t truly know himself.
A novel that artfully spans two cultures, from a talented new author ready to take wing.Pub Date: April 3, 2013
ISBN: 978-1482662467
Page Count: 464
Publisher: CreateSpace
Review Posted Online: Dec. 24, 2013
Kirkus Reviews Issue: Jan. 15, 2014
Review Program: Kirkus Indie
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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