A bracingly sophisticated but highly entertaining tale that doesn’t take itself too seriously.
A wronged woman sets out for revenge in this classic Western novella.
The authors employ an old but still serviceable action/adventure trope: 12 years ago (1857), bad guys killed Clara Kane’s parents, torched their homestead, and assumed that Clara and her older brother, Elias, had perished in the fire. Ever since, Clara has devoted her life to vengeance. Not only has she become a methodical killer, but her methods show an obsession with numbers and equations that borders on the synesthetic. (Even as a child, for example, she insisted that seven was sharp but three was round.) When readers first meet her, she’s measuring absolutely every variable as she picks off three of her victims at an impossibly long range, accounting for mass, gravity, windage, and so on. Her archenemy is General Titus Creed, who’s set up “New Rome,” a city in Colorado that he’s modeled on the Eternal City, complete with faux-marble (adobe) walls and a colosseum for deadly entertainments. Clara makes her way there and begins picking off the remaining 17 bad guys by gun, knife, and other means. In a final showdown, and with the help of her brother (who also has his motives for revenge), they kill everyone whom the Kane siblings intended to, even those not directly involved in crimes against their family. The story then becomes a rumination on revenge: What are the real costs of vengeance, and, more to the point, what does revenge do to the soul of the avenger? Crossley and Gibson provide drama mostly through Clara’s eyes and inside her head, or in descriptive gems such as “Dawn comes to New Rome like a blade drawn slow across a throat.” Readers might not know what to make of General Creed, a classic Bond villain type, which is what made Fleming’s series so entertaining. And what of Clara’s calculation before jumping out a window (“Broken ankle probability: 67%”): Is this unintentional comedy? Clara would not just beat Annie Oakley hands down; she’d also give Lara Croft a run for her money. Crossley and Gibson are certainly having fun, and hopefully readers will, too.
A bracingly sophisticated but highly entertaining tale that doesn’t take itself too seriously.Pub Date: April 6, 2026
ISBN: 9798249483272
Page Count: 90
Publisher: Independently Published
Review Posted Online: June 17, 2026
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A haunting, timeless exploration of the evil men do—and the imprint it leaves behind.
A middle-aged woman channels her best Miss Marple when she finds herself facing a nightmare from her past as she seeks to make sense of her present.
Jane Trevally is at a crossroads of sorts. After a traumatic childhood, she sought safety and solace in marriages with wealthy men. Now twice divorced and living with her four dogs in the crumbling English country mansion that is her birthright, she’s feeling the need to do something, to take a job, when one day a runaway dog turns up on her doorstep. The dog is chipped, and with the help of a local vet and her loyal stepson, Dexter Lombardi, Jane traces the dog’s home to the edge of Hampstead Heath, in London—a place that brings back the memory of a terrifying night from her youth, when a handsome man picked her up and took her back to this very house. Everything there felt wrong; she just managed to escape, certain that if she had stayed, she would have died that night. Now, soon after knocking on the door and returning the dog, she discovers that he had run away from an Airbnb near her house, where he had been staying with a young woman who seems to have disappeared. With the help of Dexter; his father, Tony, her second ex-husband; Tony’s former security enforcer, Tobias Wilson; and her own gift for connecting with people, Jane sets out to find the woman, taking her first steps on the path to becoming a private investigator. While Jane serves as the heart of the novel, Jewell also narrates chapters from several other characters’ points of view, all of which chip away at the horror that is the house on the Heath. By slowly revealing past and present simultaneously, Jewell keeps the mystery fresh as she plays with Gothic tropes and the timeless imagery of “a house of horrors” embodying human sin. She doesn’t flinch from exploring the depths of depravity in this house—and its humans.
A haunting, timeless exploration of the evil men do—and the imprint it leaves behind.Pub Date: June 23, 2026
ISBN: 9781668033906
Page Count: 384
Publisher: Atria
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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