Allen's 38th book, by his reckoning, and perhaps his best. This is the history of Allen's ``professional adventures in broadcasting, and not a revelation of my experiences as pianist, composer, author, public citizen, lover, husband or father.'' With all this, according to Allen, covered elsewhere, what's left? But sticking simply to his various shows as he faced the radio mike or TV camera allows Allen to skim the cream from 50 years of lightweight chat and comedy routines and keep his reminiscences under tight rein while moving at a gallop. With material groomed to shine, he often comes off better here than he does while wryly improvising on TV. Allen's opening is hilarious, as he recalls feeding fake commercials into the hands of unwitting announcers who find themselves speaking rotund babble on live air. Also great fun is his baldfaced stupidity as a teenager when he, his mother, and his aunt are playing cards in their Chicago hotel room and hear from a CBS radio announcer that Mars has invaded the Earth (``Gosh!'' Allen cries)—they head instantly for church and some heavy prayer, with stunned Allen still crying ``Gosh!'' We follow him through his early days as a flummoxing TV sportscaster for wrestling matches (``Leone now has his kelman frammised over the arm of Hayes' kronkheit...Ladies and gentlemen, the zime is going absolutely mctavish!''). Bored by the idea of being a deejay on his Breaking the Records radio show, Allen breaks old records rather than play them and gets a huge audience by talking without music. When his guest Doris Day fails to show up, he interviews the audience instead and invents the talk show. Allen's original Tonight Show format was much broader than today's and even took on the Mafia—here, he tells of happy/sad moments with Errol Flynn and Jack Kerouac. Better than nostalgia, sometimes serious, and often genuinely funny.
Pub Date: July 1, 1992
ISBN: 0-942637-55-0
Page Count: 299
Publisher: Barricade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1992
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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