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CELANDINE

Set in 1915, 70 years before The Various (2004), this second of a trilogy continues the story of an ancient tribe of little people hidden from the human world. When 13-year-old Celandine encounters Fin, one of the little people living on a wooded hill on her father’s farm in Somerset, she is initially incredulous, but also enchanted. Lonely and unhappy, Celandine moves easily between the real and the imaginary, accepting the little people as the friends she lacks. Sent away to boarding school, Celandine is bullied and then heartbroken when her brother dies in the war. Overwhelmed, she flees, hiding in the woods with the little people, who provide needed refuge and comfort. When the Ickri, a hostile tribe of little people, storm the woods, Celandine’s presence is a danger to all. She must return to her own world and learn to survive. Intertwining elements from the English fairy-fantasy and boarding-school genres, Augarde creates a familiar yet entirely original world, a very sympathetic heroine and an absolutely riveting adventure that isn’t over yet. Stay tuned. (Fiction. 10-14)

Pub Date: Aug. 22, 2006

ISBN: 0-385-75048-X

Page Count: 496

Publisher: David Fickling/Random

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2006

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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THE SEVENTH MOST IMPORTANT THING

Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)

Traumatized by his father’s recent death, a boy throws a brick at an old man who collects junk in his neighborhood and winds up on probation working for him.

Pearsall bases the book on a famed real work of folk art, the Throne of the Third Heaven, by James Hampton, a janitor who built his work in a garage in Washington, D.C., from bits of light bulbs, foil, mirrors, wood, bottles, coffee cans, and cardboard—the titular seven most important things. In late 1963, 13-year-old Arthur finds himself looking for junk for Mr. Hampton, who needs help with his artistic masterpiece, begun during World War II. The book focuses on redemption rather than art, as Hampton forgives the fictional Arthur for his crime, getting the boy to participate in his work at first reluctantly, later with love. Arthur struggles with his anger over his father’s death and his mother’s new boyfriend. Readers watch as Arthur transfers much of his love for his father to Mr. Hampton and accepts responsibility for saving the art when it becomes endangered. Written in a homespun style that reflects the simple components of the artwork, the story guides readers along with Arthur to an understanding of the most important things in life.

Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)

Pub Date: Sept. 8, 2015

ISBN: 978-0-553-49728-1

Page Count: 288

Publisher: Knopf

Review Posted Online: June 9, 2015

Kirkus Reviews Issue: July 1, 2015

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