by Steve Brewer ‧ RELEASE DATE: Sept. 1, 2007
The Brewer prose is clumsy, his characters nuance-free, but the Brewer (Monkey Man, 2006, etc.) plotting is operatic enough...
The family Sheffield: hugely rich and powerful—and murderously dysfunctional.
Solomon Gage well understands that something is rotten in the Sheffield state, but what’s a loyal retainer to do? He’s been serving the family for 20 years, since his mom left him on their doorstep, age 14, and can’t readily imagine another way of life. The position is precarious. True, Dominick, the patriarch, is a Solomon booster. He values Solomon’s trouble-shooting capabilities, and he has reason to. Is there a problem affecting Sheffield Enterprises? Dispatch Solomon—he’ll make it go away. Is young Abby Maynes, a third generation Sheffield, drugged out of her mind again and lost in some misbegotten needle park? Solomon will find and rescue her even if it means snuffing a few bottom-feeders in the process. So, yes, he’s earned Dominick’s gratitude, but what he’s earned from the Sheffield sons, Michael and Christopher, however, is implacable hatred fostered by long-standing resentment and jealousy. Inevitably, push comes to shove in a bitter battle between the pure of heart Solomon and the Iago-like sons with the godfather-like Dominick adjudicating between them. Well, blood is thicker than water, and virtue is its own reward—and somewhere in those homilies, Solomon ought to be able to parse his future.
The Brewer prose is clumsy, his characters nuance-free, but the Brewer (Monkey Man, 2006, etc.) plotting is operatic enough to counterbalance boredom.Pub Date: Sept. 1, 2007
ISBN: 978-1-932557-61-9
Page Count: 370
Publisher: Bleak House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
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by Amalie Howard ‧ RELEASE DATE: Nov. 26, 2019
A lasciviously entertaining Regency romp.
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A scarred, sharp-tongued nobleman meets his feisty match in Howard’s (What a Scot Wants, 2013, etc.) historical romance.
It’s 1819, and 25-year-old Lady Astrid Everleigh, a cash-strapped Englishwoman, must find a way to save her 16-year-old sister, Isobel, from getting married off to the loathsome Earl of Beaumont; Astrid previously refused his proposal herself, and as a result, he ruined her reputation and marriage prospects with a “horrible lie about her lack of virtue.” For hard-to-understand reasons, Astrid’s only hope is to marry the wealthy, powerful, and single Lord Thane Harte, Duke of Beswick, and she puts the proposal to him after barging in on his bath. Alas, she’s horrified by the scars, left by French bayonets years ago, on Thane’s face and body—a result of Beaumont’s abandoning his post, and a subsequent French ambush. Thane’s temper earned him the moniker “the Beast of Beswick.” Fortunately, she observes, the French spared his “luscious mouth,” “burning” eyes, and muscular torso—among other body parts. Instant bickering ensues, and when Astrid installs herself with Isobel at Beswick Park to catalog Thane’s Ming porcelains, the attraction between Astrid and the duke grows. The young noblewoman also voices feminist theory, which Thane eagerly appreciates—though sometimes less for what she says than how she says it: “Her eyes shone with indignant passion, lips parted, breasts heaving.” Their wedding night comes rather early on, but Howard successfully keeps the sparks flying thanks to Thane’s self-pitying mood cycles—worried that Astrid will leave him because of his scars, he gets cold and nasty; Astrid snaps back and maddens him with scandalous gowns, and bodice-ripping follows. The author’s reprise of “Beauty and the Beast” motifs effectively mixes Jane Austen–ite manners with lewd mores. However, it’s full of anachronistic language—“I don’t want a fucking prince, you idiot. They’re too pretty, too full of themselves, too much maintenance”—and suffers third-act problems as long-anticipated comeuppances fizzle inconclusively. Fortunately, vigorous prose, lively characters—including Thane’s Aunt Mabel, who beds all the footmen—and lubricious rounds of fighting and sex will keep readers turning pages.
A lasciviously entertaining Regency romp.Pub Date: Nov. 26, 2019
ISBN: 978-1-64063-741-2
Page Count: 384
Publisher: Entangled: Amara
Review Posted Online: Nov. 18, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Review Program: Kirkus Indie
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by Nora Roberts ‧ RELEASE DATE: May 29, 2018
Roberts’ newest is part thriller, part romance, part survivors’ psychological study with a touch of New Age magic—and a...
The victims of a mass shooting—including two young heroes from the tragedy—are moving forward in their lives, affected in different ways, when they're stunned to discover a serial killer is targeting survivors.
Simone Knox and Reed Quartermaine were both survivors of a mass shooting at a mall in Portland, Maine. Afterward, Simone, grateful to be alive, vows to be a better daughter and at first tries to conform to her parents’ conservative expectations. However, she soon realizes she’ll never be happy appeasing them and finally chooses to follow her artistic dreams in order to lead a more authentic life. Reed, inspired by Essie McVee, the first police officer on the scene, becomes a detective, eventually becoming Essie's partner and close friend. Years later, survivors of the massacre begin to die, and Reed is convinced the deaths are connected—but not even Essie takes him seriously until the killer targets him. Reed is wounded but survives, and suddenly everyone believes him. The cunning psychopath escapes into the ether, armed with money, lots of false identification, and a seething desire for revenge. Taking time to heal, Reed visits Tranquility Island, Maine, his childhood vacation spot, and falls in love with the place. He also meets a charismatic older woman who helps him land the house of his dreams and the position of police chief. Falling in love with her granddaughter, Simone—whom he had been aware of since the tragedy but had never met—seems like fate. Reed settles into his new job and hooks up with the FBI regarding the case, convinced their face-off has frustrated the vengeful killer. As heroic survivors, Reed and Simone are prime targets, and now that they’ve found each other, the stakes are higher than ever. Facing the hunter means fighting for their lives, love, and happiness while silencing the violent echoes of the worst day of their lives. Fascinating characters—Simone's grandmother is a standout—and a sprawling plot that covers a lot of ground yet keeps the reader engaged offer a surprisingly compelling and poignant redemption story that begins with a tragic mass shooting.
Roberts’ newest is part thriller, part romance, part survivors’ psychological study with a touch of New Age magic—and a lively, captivating read.Pub Date: May 29, 2018
ISBN: 978-1-250-16159-8
Page Count: 448
Publisher: St. Martin's
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
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