This is not the teen love story you’ve read a thousand times before.

GUY IN REAL LIFE

Sulky metal head boy meets artsy gamer girl. Awkward teenage love ensues.

When Lesh’s and Svetlana’s worlds collide—literally—in Saint Paul, Minn., it precipitates a time-honored culture clash wherein magic happens, but that’s where predictability ends. In a first-person narration that alternates between the boy in black and the girl dungeon master, Brezenoff conjures a wry, wise and deeply sympathetic portrait of the exquisite, excruciating thrill of falling in love. What might easily have been a stale retread feels fresh and lively in Brezenoff’s hands; he weaves multiple perspectives (school life, game life, dream life) together in threads that tangle into an inevitable knot, with startling consequences. The realistic dialogue, internal and otherwise, captures the uncomfortably iterative process of adolescent self-discovery as Lesh and Svetlana struggle to figure out who they are and what they stand for. The typical obstacles to true love (tempting teen sirens, parents who just don’t understand) are handily and gently overcome, and a subplot involving a jealous suitor peters out unexpectedly early. The juxtaposition of live, real-time role-playing games like Dungeons and Dragons against the detached anonymity of MMORPGs, plus a playfully thoughtful exploration of gender identity and politics, gives the novel depth and heart that will appeal to audiences beyond the gaming set.

This is not the teen love story you’ve read a thousand times before. (Fiction. 14 & up)

Pub Date: May 27, 2014

ISBN: 978-0-06-226683-5

Page Count: 400

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Feb. 26, 2014

Kirkus Reviews Issue: March 15, 2014

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Riveting, brutal and beautifully told.

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    Best Books Of 2014

  • New York Times Bestseller

WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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A suspenseful tale filled with Ojibwe knowledge, hockey, and the politics of status.

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FIREKEEPER'S DAUGHTER

Testing the strength of family bonds is never easy—and lies make it even harder.

Daunis is trying to balance her two communities: The Sault Ste. Marie, Michigan, teen is constantly adapting, whether she is with her Anishinaabe father’s side of the family, the Firekeepers, or the Fontaines, her White mother’s wealthy relatives. She has grand plans for her future, as she wants to become a doctor, but has decided to defer her plans to go away for college because her maternal grandmother is recovering from a stroke. Daunis spends her free time playing hockey with her Firekeeper half brother, Levi, but tragedy strikes, and she discovers someone is selling a dangerous new form of meth—and the bodies are piling up. While trying to figure out who is behind this, Daunis pulls away from her family, covering up where she has been and what she has been doing. While dealing with tough topics like rape, drugs, racism, and death, this book balances the darkness with Ojibwe cultural texture and well-crafted characters. Daunis is a three-dimensional, realistically imperfect girl trying her best to handle everything happening around her. The first-person narration reveals her internal monologue, allowing readers to learn what’s going on in her head as she encounters anti-Indian bias and deals with grief.

A suspenseful tale filled with Ojibwe knowledge, hockey, and the politics of status. (Thriller. 14-18)

Pub Date: March 16, 2021

ISBN: 978-1-250-76656-4

Page Count: 496

Publisher: Henry Holt

Review Posted Online: Dec. 10, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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