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SOMETIMES CREEK

An astute, confident writer spins grim but entrancing tales.

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Characters mourn bygone days and dread uncertain futures in this debut collection of short stories.

By all accounts, 10-year-old Arthur Penske cost his hockey team the game in this book’s opening tale, “Exile.” Afterward, he gets sage advice about his troubles, including an “a-hole” teammate, from a surprising source—a homeless man who hits the boy with truths he may not want to hear. Like much of the cast, Arthur faces dark times ahead, which in his case include continued misery at home and at school. In other stories, it’s a loss that dims a person’s life. Ned, in the tale “little blind flying mice,” for example, irks locals, as he regularly walks around Noisy Creek, Wisconsin, with LED lights and a line of fluttering bats trailing behind. He’s not trying to upset anyone; these bats, which one day simply started following him, provide solace after he loses his beloved basset hound. Readers should anticipate relentless somberness, as illnesses and death fracture families and joy becomes a thing buried in memories. Sometimes, it’s an overall gloomy tone that fuels the narrative. Sampo Andersen, who likely suffers PTSD, is out for a simple dog walk in “Everyone Is Dead” and wanders into bleak territory, both internally and externally. That’s akin to Philippa “Pip” Peters at a Noisy Creek cafe in “Unresolved,” sitting alone with her “dark moods”—feelings she’s certain won’t leave anytime soon. She’s merely one player in a remarkable cast, a set of believably flawed individuals who, even at their lowest or most despondent moments, remain captivating.

Fox’s hard-hitting stories tackle relatable and topical issues in realistic fashion. The dystopian “Goat Milk,” for example, spotlights a lethal virus devastating North America. As in epidemics throughout history, these fictional citizens face dwindling resources and a perpetual fear of even stepping outside. But not every narrative element is reality-based, such as the talking rodent the size of an 8-year-old child in “Randy Koenig’s Very Large Mouse.” But that quirky story further promotes the book’s themes, as the abnormally big mouse has been just as affected by the Covid-19 pandemic as humans. Animals, usually dogs, play crucial roles in this collection. That’s true for the titular canine in “Orange Tree Dog,” who, according to rumors in a small neighborhood, is anywhere from 40 to 60 years old. She’s undeniably a constant who sticks around as two-legged neighbors invariably change. These tales aren’t entirely daunting, like the occasionally upbeat “I Prefer You in Spanish,” a love story about two college-age Americans who fall for each other in Europe. This couple moreover showcases the author’s vivid characterizations; with parents hailing from Lima, Peru, and Madrid, the two alternate between English and Spanish, sometimes during arguments, while touring Spain. In the same vein, Fox delivers animated prose throughout: “It didn’t take long to reach Orange Tree Dog’s house….I must have looked like a cartoon character, screeching up within a cloud of dust. Orange Tree House Man sat, reclined on his front steps like the last time, all big and bushy and scary and tight-yellow-shirted.” The final offering, the title story of a widower and his young daughter, carries readers to a quiet, unforgettable close.

An astute, confident writer spins grim but entrancing tales.

Pub Date: N/A

ISBN: 9798986144764

Page Count: 223

Publisher: Cornerstone Media

Review Posted Online: Jan. 12, 2023

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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