by Steve Fox ‧ RELEASE DATE: N/A
An astute, confident writer spins grim but entrancing tales.
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Characters mourn bygone days and dread uncertain futures in this debut collection of short stories.
By all accounts, 10-year-old Arthur Penske cost his hockey team the game in this book’s opening tale, “Exile.” Afterward, he gets sage advice about his troubles, including an “a-hole” teammate, from a surprising source—a homeless man who hits the boy with truths he may not want to hear. Like much of the cast, Arthur faces dark times ahead, which in his case include continued misery at home and at school. In other stories, it’s a loss that dims a person’s life. Ned, in the tale “little blind flying mice,” for example, irks locals, as he regularly walks around Noisy Creek, Wisconsin, with LED lights and a line of fluttering bats trailing behind. He’s not trying to upset anyone; these bats, which one day simply started following him, provide solace after he loses his beloved basset hound. Readers should anticipate relentless somberness, as illnesses and death fracture families and joy becomes a thing buried in memories. Sometimes, it’s an overall gloomy tone that fuels the narrative. Sampo Andersen, who likely suffers PTSD, is out for a simple dog walk in “Everyone Is Dead” and wanders into bleak territory, both internally and externally. That’s akin to Philippa “Pip” Peters at a Noisy Creek cafe in “Unresolved,” sitting alone with her “dark moods”—feelings she’s certain won’t leave anytime soon. She’s merely one player in a remarkable cast, a set of believably flawed individuals who, even at their lowest or most despondent moments, remain captivating.
Fox’s hard-hitting stories tackle relatable and topical issues in realistic fashion. The dystopian “Goat Milk,” for example, spotlights a lethal virus devastating North America. As in epidemics throughout history, these fictional citizens face dwindling resources and a perpetual fear of even stepping outside. But not every narrative element is reality-based, such as the talking rodent the size of an 8-year-old child in “Randy Koenig’s Very Large Mouse.” But that quirky story further promotes the book’s themes, as the abnormally big mouse has been just as affected by the Covid-19 pandemic as humans. Animals, usually dogs, play crucial roles in this collection. That’s true for the titular canine in “Orange Tree Dog,” who, according to rumors in a small neighborhood, is anywhere from 40 to 60 years old. She’s undeniably a constant who sticks around as two-legged neighbors invariably change. These tales aren’t entirely daunting, like the occasionally upbeat “I Prefer You in Spanish,” a love story about two college-age Americans who fall for each other in Europe. This couple moreover showcases the author’s vivid characterizations; with parents hailing from Lima, Peru, and Madrid, the two alternate between English and Spanish, sometimes during arguments, while touring Spain. In the same vein, Fox delivers animated prose throughout: “It didn’t take long to reach Orange Tree Dog’s house….I must have looked like a cartoon character, screeching up within a cloud of dust. Orange Tree House Man sat, reclined on his front steps like the last time, all big and bushy and scary and tight-yellow-shirted.” The final offering, the title story of a widower and his young daughter, carries readers to a quiet, unforgettable close.
An astute, confident writer spins grim but entrancing tales.Pub Date: N/A
ISBN: 9798986144764
Page Count: 223
Publisher: Cornerstone Media
Review Posted Online: Jan. 12, 2023
Review Program: Kirkus Indie
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BOOK REVIEW
by Steve Fox ; Paul Armentano ; Mason Tvert
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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