SLAP, SQUEAK & SCATTER

HOW ANIMALS COMMUNICATE

Jenkins, whose art can be seen in his own and others’ books on natural themes, here provides an introduction to the ways animals communicate, with brief text and full-color torn- and cut-paper collages. Jenkins notes: “Animals send messages with sounds, visual signals, and touch. They use odors and chemical messages, create vibrations in the ground, or even light up to communicate with others of their kind.” Handsome animal collages show some animals full-figure and others in close-up, including bats, wolves, cats, klipspringer (a kind of antelope), blue-footed boobies, and whales. The crushed-paper collages—the illustrator’s trademark—are appealing, but colors in this title are subdued, and the layouts frequently place disparate animals on the left and right page, making this title less useful for display. For example, the left panel shows two blue-footed boobies in a mating dance, while the right page shows an orb-web spider. Most successful are those layouts that capture the act of communicating, for example the two wolves, one cowering and submissive as the other snarls, or the cat rubbing up against a person’s pant leg. For the most part, though, communication is hard to show. A humpback whale swims, but how do we know it’s singing? The viewer can’t see the elephant’s rumbling stomach or the dolphin’s whistling. While the title will provide a first look at animal communication, it is not as successful as Jenkins’s previous efforts. (Nonfiction. 8-10)

Pub Date: April 1, 2001

ISBN: 0-618-03376-9

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2001

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What better way to make natural history slide down easily? (index) (Nonfiction. 8-10)

GET THE SCOOP ON ANIMAL SNOT, SPIT & SLIME!

FROM SNAKE VENOM TO FISH SLIME, 251 COOL FACTS ABOUT MUCUS, SALIVA & MORE

Cusick floats a slick, select gallery of nature’s spitters, nose-pickers, oozers, and slimers—most but not all nonhuman—atop nourishing globs of scientific information.

Title notwithstanding, the book is limited just to mucus and saliva. Following introductory looks at the major components of each, Cusick describes their often similar uses in nature—in swallowing or expelling foreign matter, fighting disease, predation and defense, camouflage, travel, communication (“Aren’t you glad humans use words to communicate?”), home construction, nutrition, and more. All of this is presented in easily digestible observations placed among, and often referring to, color photos of slime-covered goby fish, a giraffe with its tongue up its nose, various drooling animals, including a white infant, and like photogenic subjects. Two simple experiments cater to hands-on types, but any readers who take delight in sentences like “Some fungus beetles eat snail slime mucus” come away both stimulated and informed.

What better way to make natural history slide down easily? (index) (Nonfiction. 8-10)

Pub Date: Dec. 15, 2016

ISBN: 978-1-63322-115-4

Page Count: 80

Publisher: Moondance/Quarto

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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THE COOKIE-STORE CAT

There is an ineffable sweetness in Rylant’s work, which skirts the edge of sentimentality but rarely tumbles, saved by her simple artistry. This companion piece to The Bookshop Dog (1996) relates how the cookie-store cat was found, a tiny, skinny kitten, very early one day as the bakers came in to work. The cat gets morning kisses, when the bakers tell him that he is “sweeter than any cookie” and “prettier than marzipan.” Then he makes his rounds, out the screen door painted with “cherry drops and gingerbread men” to visit the fish-shop owner, the yarn lady, and the bookshop, where Martha Jane makes a cameo appearance. Back at the cookie store, the cat listens to Father Eugene, who eats his three Scotch chewies and tells about the new baby in the parish, and sits with the children and their bags of cookies. At Christmas he wears a bell and a red ribbon, and all the children get free Santa cookies. The cheerful illustrations are done in paint as thick as frosting; the flattened shapes and figures are a bit cookie-shaped themselves. A few recipes are included in this yummy, comforting book. (Picture book. 4-8)

Pub Date: May 1, 1999

ISBN: 0-590-54329-6

Page Count: 40

Publisher: Blue Sky/Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1999

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