Keep your bitcoins—you never know when somebody might need a button.
A broken-down captain and his young, peg-legged mate rediscover an ages-old system to rebuild their battered ship without spending a penny.
It’s called barter or swap, that mode of trade that requires not coinage but need. Light starts at the very beginning: the poor captain has a button, which doesn’t look very promising until a lady agrees to swap two teacups for the button, which the boy then turns around and swaps for three coils of rope. For two of the coils he gets six oars, and for two of the oars he gets six flags. Flags? Well, you never know where things may lead. Flags beget anchors that beget sails that beget ships’ wheels and birds and jaunty hats and a hand-carved figurehead. Next thing you know, the old wreck is not only seaworthy, but has a bit of dash. Light’s artwork is lightly amusing throughout, with a throng of crabbed ink lines busily filling the mostly white backgrounds, making the incidents of color—blue here, purple and orange there—the more sparkling. Complementing the smart artwork is a smart story: you don’t have to have a pocket full of gold to get by; wits often work just as well. Though the boy’s peg leg immediately conjures hoary old pirate tropes, these are honest, hard-working tars, and it’s a positive delight to see a disabled boy depicted as an equal participant in the economy.
Keep your bitcoins—you never know when somebody might need a button. (Picture book. 3-7)Pub Date: Feb. 9, 2016
ISBN: 978-0-7636-7990-3
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A comical, fresh look at crayons and color.
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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