KIRKUS REVIEW
The fabulous musical Delacorte clock in Central Park in New York City is the subject of a snow monkey’s devotion, told in rhymed couplets.
Milo the snow monkey loves to watch and listen to the clock, on which two monkeys ring a bell and animals circle—the bear with a tambourine, the elephant with a squeezebox accordion, the hippo with the fiddle. He wants to join their dance. One day, the zookeeper leaves a gate unlocked, and Milo leaps out to sit on the bell with the monkeys and then dance with each animal figure in turn. The crowds cheer. But then Milo realizes it is cold up there, and there’s no food. Fortuitously, the zookeeper comes by, a well-placed nut toss attracts her attention and Milo is back with his buddies, “A clock can be special, but not like a friend!” It is clear from the falling russet leaves that this is autumn. Curiously, most of the brightly clad figures look more French than East Coast urban. There are hats on most of the adults and many of the children; there are scarves and hair ribbons galore on the big-eyed, sharp-nosed gentry in their plaids and polka-dots. The verse chugs along, thwacking its rhymes as it goes, which can be irritating or satisfying depending on readers’ tastes. A note “About the Dancing Clock” offers a bit more information.
Not nearly so engaging as its subject, alas. (Picture book. 3-5)
