An ethnic novel with universal implications.
Yes, this is indeed a novel about a frozen rabbi who thaws in the late 20th century after being found by Bernie Karp, of Memphis, Tenn., in his parents’ freezer.
Stern (The Angel of Forgetfulness, 2005, etc.) uses his absurdist fantasy to explore issues of faith, secularism and redemption. Bernie, in particular, is in need of the latter, for he’s a 15-year-old couch potato with no interest in or regard for his religious heritage. While the novel starts with the recovery of Rabbi Eliezer ben Zephyr from the deep freeze (Bernie’s father explains to his bewildered son that “they handed [the rabbi] down from generation to generation”), Stern alternates chapters chronologically, beginning in 1889 when the rabbi, a noted holy man in Tsarist Russia, would meditate by a pond in order to get closer to God. One day a storm came, the water rose, the rabbi continued to meditate and winter eventually arrived, resulting in his being encased in ice. From that point we trace both the history of the Karp family’s interaction with the frozen rabbi (in the early 20th century it helped that an earlier Karp had owned a large ice factory) and Bernie’s spiritual transformation as a result of his interactions with the Chasidic sage. Bernie begins to lose weight, to have out-of-body experiences and to become intellectually invested in obscure Jewish mystical texts. Meanwhile, the rabbi becomes fascinated with and impressed by life around the year 2000: “Shopping bazaars it’s got, and Dodge Barracudos and Gootchie bags made I think from the skin of Leviathan…but it ain’t got a soul.” The rabbi makes a radical attempt to ingest soul into this culture by establishing a “House of Enlightenment” in a strip mall in Memphis. As Bernie’s fortunes begin to rise—he even acquires a “trailer trashy” girlfriend sympathetic to his needs—so do the rabbi’s decline, resulting in a tragicomic conclusion.
An ethnic novel with universal implications.Pub Date: May 11, 2010
ISBN: 978-1-56512-619-0
Page Count: 368
Publisher: Algonquin
Review Posted Online: March 8, 2011
Kirkus Reviews Issue: March 1, 2010
Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.
A forsaken family bound by grief still struggles to pick up the pieces 12 years after their mother’s death.
When famous author Gil Coleman sees “his dead wife standing on the pavement below” from a bookshop window in a small town on the southern coast of England, he follows her, but to no avail, and takes a near-fatal fall off a walkway on the beach. As soon as they hear word of his accident, Gil’s grown daughters, Nan and Flora, drop everything and return to their seaside family home in Spanish Green. Though her father’s health is dire, Flora, Gil’s youngest, can’t help but be consumed by the thought that her mother, Ingrid—who went missing and presumably drowned (though the body was never found) off the coast more than a decade ago—could be alive, wandering the streets of their town. British author Fuller’s second novel (Our Endless Numbered Days, 2015) is nimbly told from two alternating perspectives: Flora’s, as she re-evaluates the loose ends of her mother’s ambiguous disappearance; and Ingrid’s, through a series of candid letters she writes, but never delivers, to Gil in the month leading up to the day she vanishes. The most compelling parts of this novel unfold in Ingrid’s letters, in which she chronicles the dissolution of her 16-year marriage to Gil, beginning when they first meet in 1976: Gil is her alluring professor, they engage in a furtive love affair, and fall into a hasty union precipitated by an unexpected pregnancy; Gil gains literary fame, and Ingrid is left to tackle motherhood alone (including two miscarriages); and it all bitterly culminates in the discovery of an irrevocable betrayal. Unbeknownst to Gil and his daughters, these letters remain hidden, neglected, in troves of books throughout the house, and the truth lies seductively within reach. Fuller’s tale is eloquent, harrowing, and raw, but it’s often muddled by tired, cloying dialogue. And whereas Ingrid shines as a protagonist at large, the supporting characters are lacking in depth.
Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.Pub Date: Feb. 7, 2017
ISBN: 978-941040-51-5
Page Count: 368
Publisher: Tin House
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
The fine Israeli writer Yehoshua (Open Heart, 1996, etc.) makes a lengthy journey into the year 999, the end of the first millennium. Indeed, it is the idea of a great journey that is the heart of the story here. Ben Attar, a Moroccan Jewish merchant has come a long distance to France to seek out his nephew and former partner Abulafia. Ben Attar, the nephew, and a third partner, the Muslim Abu Lutfi, had once done a lucrative business importing spices and treasures from the Atlas Mountains to eager buyers in medieval Europe. But now their partnership has been threatened by a complex series of events, with Abulafia married to a pious Jewish widow who objects vehemently to Ben Attar’s two wives. Accompanied by a Spanish rabbi, whose cleverness is belied by his seeming ineffectualness; the rabbi’s young son, Abu Lutfi; the two wives; a timorous black slave boy, and a crew of Arab sailors, the merchant has come to Europe to fight for his former partnership. The battle takes place in two makeshift courtrooms in the isolated Jewish communities of the French countryside, in scenes depicted with extraordinary vividness. Yehoshua tells this complex, densely layered story of love, sexuality, betrayal and “the twilight days, [when] faiths [are] sharpened in the join between one millennium and the next” in a richly allusive, languorous prose, full of lengthy, packed sentences, with clauses tumbling one after another. De Lange’s translation is sensitively nuanced and elegant, catching the strangely hypnotic rhythms of Yehoshua’s style. As the story draws toward its tragic conclusion—but not the one you might expect—the effect is moving, subtle, at once both cerebral and emotional. One of Yehoshua’s most fully realized works: a masterpiece.
Pub Date: Jan. 19, 1999
ISBN: 0-385-48882-3
Page Count: 352
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
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