Loring is Yarbrough’s Yoknapatawpha County, and he uses what in other hands could be a banal plot to bring to vital life the...
A Mississippi high-school teacher can’t separate his hometown’s uneasy past from his own in this thoughtful novel from Yarbrough (The End of California, 2006, etc).
Loring native Luke May takes a just-the-facts approach to history, teaching his students the difficulty of pinpointing cause and effect. As the school year starts, Luke is at loose ends. His daughters have gone to college, his aging parents are in failing health, he and his wife Jennifer, an aspiring poet who teaches freshman English at a nearby college, have drifted into minimal verbal and sexual communication. Then he meets the flashy new French teacher, Maggie Sorrentino, née Calloway. Maggie left Loring as a little girl in 1962, after her father Arlan shot and killed her mother Nadine in what was ruled self defense. Luke’s father considered Arlan his best friend, although the more affluent Arlan was threatening his livelihood. The night of the killing, which was also the eve of James Meredith’s historic enrollment at Ole Miss, the two men had driven to Oxford as members of the local White Citizens Council. As Luke falls into an affair with Maggie, he begins digging to uncover the truth of what happened that night 44 years ago. From a snippet of conversation Maggie remembers overhearing as a child, Ned suspects that his father, a less-than-successful farmer and admitted racist but also a war hero and devoted husband to his now-senile wife, might have had some kind of relationship with Maggie’s mother not unlike Luke’s relationship with Maggie. More sleuthing brings up a romantic connection between Nadine and Luke’s otherwise saintly mentor, local newspaper editor Ellis Buchanan, who courageously stood up for integration when no one else did. Learning the truth has its price, and Luke pays dearly.
Loring is Yarbrough’s Yoknapatawpha County, and he uses what in other hands could be a banal plot to bring to vital life the complicated interplay of cause and coincidence in history and individual lives.Pub Date: Jan. 28, 2010
ISBN: 978-0-307-27170-9
Page Count: 272
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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