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THIS RIVER AWAKENS

While there’s a hint of psychic ability and the echoes of both Norse and Danish mythologies, most of the beautifully written...

Published for the first time in the U.S., a bleak bildungsroman from 1997 that’s quite a departure from the author’s subsequent success in epic fantasy (Forge of Darkness, 2012, etc.).

This depressing little slice of life is set in 1971 in Middlecross, a rural community outside an unnamed Canadian city. The town’s unhappy denizens include a drunk chasing his own demons; his abused, cowed wife; his rebellious 13-year-old daughter, Jennifer, who’s rejected a musical gift in favor of taking and pushing drugs; a widowed mink farmer with PTSD; and the groundskeeper of the local yacht club, who’s slowly going blind. Their downward slide heads rapidly toward greater tragedy when 12-year-old Owen, a tough who’s learned to hide how smart he is, arrives in town, falls in like with Jennifer and makes a frenemy of a local boy. Erikson’s prose is lovely, and he certainly knows his way around the landscape of madness and hallucination. But even that prose and the faint hope of redemption at the story’s close can’t lift the unrelenting grimness of the book, nor compensate for the near absence of a plot. Apparently, Owen and his friends’ discovery of a body is meant to be significant, but it just doesn’t seem as crucial as the author means it to be. If this were a King novel (which it resembles in some respects), there’d at least be a supernatural evil lurking in the woods, but those expecting magical doings from the author best known for the sorcery, gods and battles of The Malazan Book of the Fallen series are bound to be disappointed.

While there’s a hint of psychic ability and the echoes of both Norse and Danish mythologies, most of the beautifully written book is remorselessly concerned with very real troubles.

Pub Date: July 9, 2013

ISBN: 978-0-7653-3500-5

Page Count: 432

Publisher: Tor

Review Posted Online: June 17, 2013

Kirkus Reviews Issue: July 1, 2013

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LITTLE FAITH

The novelist loves this land and these characters, with their enduring values amid a way of life that seems to be dying.

A heartland novel that evokes the possibility of everyday miracles.

The third novel by Wisconsin author Butler (Beneath the Bonfire, 2015, etc.) shows that he knows this terrain inside out, in terms of tone and theme as well as geography. Nothing much happens in this small town in western Wisconsin, not far from the river that serves as the border with Minnesota, which attracts some tourism in the summer but otherwise seems to exist outside of time. The seasons change, but any other changes are probably for the worse—local businesses can’t survive the competition of big-box stores, local kids move elsewhere when they grow up, local churches see their congregations dwindle. Sixty-five-year-old Lyle Hovde and his wife, Peg, have lived here all their lives; they were married in the same church where he was baptized and where he’s sure his funeral will be. His friends have been friends since boyhood; he had the same job at an appliance store where he fixed what they sold until the store closed. Then he retired, or semiretired, as he found a new routine as the only employee at an apple orchard, where the aging owners are less concerned with making money than with being good stewards of the Earth. The novel is like a favorite flannel shirt, relaxed and comfortable, well-crafted even as it deals with issues of life and death, faith and doubt that Lyle somehow takes in stride. He and Peg lost their only child when he was just a few months old, a tragedy which shook his faith even as he maintained his rituals. He and Peg subsequently adopted a baby daughter, Shiloh, through what might seem in retrospect like a miracle (it certainly didn’t seem to involve any of the complications and paperwork that adoptions typically involve). Shiloh was a rebellious child who left as soon as she could and has now returned home with her 5-year-old son, Isaac. Grandparenting gives Lyle another chance to experience what he missed with his own son, yet drama ensues when Shiloh falls for a charismatic evangelist who might be a cult leader (and he’s a stranger to these parts, so he can’t be much good). Though the plot builds toward a dramatic climax, it ends with more of a quiet epiphany.

The novelist loves this land and these characters, with their enduring values amid a way of life that seems to be dying.

Pub Date: March 5, 2019

ISBN: 978-0-06-246971-7

Page Count: 336

Publisher: Ecco/HarperCollins

Review Posted Online: Dec. 10, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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