While there’s a hint of psychic ability and the echoes of both Norse and Danish mythologies, most of the beautifully written...

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THIS RIVER AWAKENS

Published for the first time in the U.S., a bleak bildungsroman from 1997 that’s quite a departure from the author’s subsequent success in epic fantasy (Forge of Darkness, 2012, etc.).

This depressing little slice of life is set in 1971 in Middlecross, a rural community outside an unnamed Canadian city. The town’s unhappy denizens include a drunk chasing his own demons; his abused, cowed wife; his rebellious 13-year-old daughter, Jennifer, who’s rejected a musical gift in favor of taking and pushing drugs; a widowed mink farmer with PTSD; and the groundskeeper of the local yacht club, who’s slowly going blind. Their downward slide heads rapidly toward greater tragedy when 12-year-old Owen, a tough who’s learned to hide how smart he is, arrives in town, falls in like with Jennifer and makes a frenemy of a local boy. Erikson’s prose is lovely, and he certainly knows his way around the landscape of madness and hallucination. But even that prose and the faint hope of redemption at the story’s close can’t lift the unrelenting grimness of the book, nor compensate for the near absence of a plot. Apparently, Owen and his friends’ discovery of a body is meant to be significant, but it just doesn’t seem as crucial as the author means it to be. If this were a King novel (which it resembles in some respects), there’d at least be a supernatural evil lurking in the woods, but those expecting magical doings from the author best known for the sorcery, gods and battles of The Malazan Book of the Fallen series are bound to be disappointed.

While there’s a hint of psychic ability and the echoes of both Norse and Danish mythologies, most of the beautifully written book is remorselessly concerned with very real troubles.

Pub Date: July 9, 2013

ISBN: 978-0-7653-3500-5

Page Count: 432

Publisher: Tor

Review Posted Online: June 18, 2013

Kirkus Reviews Issue: July 1, 2013

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To use the parlance of the period, a highly relevant retrospective.

SUMMER OF '69

Nantucket, not Woodstock, is the main attraction in Hilderbrand’s (Winter in Paradise, 2018, etc.) bittersweet nostalgia piece about the summer of 1969.

As is typical with Hilderbrand’s fiction, several members of a family have their says. Here, that family is the “stitched together” Foley-Levin clan, ruled over by the appropriately named matriarch, Exalta, aka Nonny, mother of Kate Levin. Exalta’s Nantucket house, All’s Fair, also appropriately named, is the main setting. Kate’s three older children, Blair, 24, Kirby, 20, and Tiger, 19, are products of her first marriage, to Wilder Foley, a war veteran, who shot himself. Second husband David Levin is the father of Jessie, who’s just turned 13. Tiger has been drafted and sends dispatches to Jessie from Vietnam. Kirby has been arrested twice while protesting the war in Boston. (Don’t tell Nonny!) Blair is married and pregnant; her MIT astrophysicist husband, Angus, is depressive, controlling, and deceitful—the unmelodramatic way Angus’ faults sneak up on both Blair and the reader is only one example of Hilderbrand’s firm grasp on real life. Many plot elements are specific to the year. Kirby is further rebelling by forgoing Nantucket for rival island Martha’s Vineyard—and a hotel job close to Chappaquiddick. Angus will be working at Mission Control for the Apollo 11 lunar landing. Kirby has difficult romantic encounters, first with her arresting officer, then with a black Harvard student whose mother has another reason, besides Kirby’s whiteness, to distrust her. Pick, grandson of Exalta’s caretaker, is planning to search for his hippie mother at Woodstock. Other complications seem very up-to-date: a country club tennis coach is a predator and pedophile. Anti-Semitism lurks beneath the club’s genteel veneer. Kate’s drinking has accelerated since Tiger’s deployment overseas. Exalta’s toughness is seemingly untempered by grandmotherly love. As always, Hilderbrand’s characters are utterly convincing and immediately draw us into their problems, from petty to grave. Sometimes, her densely packed tales seem to unravel toward the end. This is not one of those times.

To use the parlance of the period, a highly relevant retrospective.

Pub Date: June 18, 2019

ISBN: 978-0-316-42001-3

Page Count: 432

Publisher: Little, Brown

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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A lovely read—entertaining, poignant, and meaningful.

THE OYSTERVILLE SEWING CIRCLE

After facing tragedy and betrayal in New York, an aspiring fashion designer escapes to her idyllic Pacific coast hometown to raise her best friend’s two young children and finds inspiration, redemption, and love in the unexpected journey.

Caroline Shelby always dreamed of leaving tiny Oysterville, Washington, and becoming a couturier. After years of toil, she finally has a big break only to discover a famous designer has stolen her launch line. When she accuses him, he blackballs her, so she’s already struggling when her best friend, Angelique, a renowned model from Haiti whose work visa has expired, shows up on her doorstep with her two biracial children, running from an abusive partner she won’t identify. When Angelique dies of a drug overdose, Caroline takes custody of the kids and flees back to her hometown. She reconnects with her sprawling family and with Will and Sierra Jensen, who were once her best friends, though their relationships have grown more complicated since Will and Sierra married. Caroline feels guilty that she didn’t realize Angelique was abused and tries to make a difference when she discovers that people she knows in Oysterville are also victims of domestic violence. She creates a support group that becomes a welcome source of professional assistance when some designs she works on for the kids garner local interest that grows regional, then national. Meanwhile, restless Sierra pursues her own dreams, leading to Will and Caroline’s exploring some unresolved feelings. Wiggs’ latest is part revenge fantasy and part romantic fairy tale, and while some details feel too smooth—how fortunate that every person in the circle has some helpful occupation that benefits Caroline's business—Caroline has a challenging road, and she rises to it with compassion and resilience. Timelines alternating among the present and past, both recent and long ago, add tension and depth to a complex narrative that touches on the abuse of power toward women and the extra-high stakes when the women involved are undocumented. Finally, Wiggs writes about the children’s race and immigration status with a soft touch that feels natural and easygoing but that might seem unrealistic to some readers.

A lovely read—entertaining, poignant, and meaningful.

Pub Date: Aug. 13, 2019

ISBN: 978-0-06-242558-4

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: May 27, 2019

Kirkus Reviews Issue: June 15, 2019

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