A thesis that will provoke deliberation, debate, outrage and probably a little laughter.
Three plays by Henrick Ibsen (1828–1906) provided Hitler not only with ideas for (and lines in) Mein Kampf—hence the “plagiarist”—but also gave der Führer scripts to follow in everything from his love life to the Final Solution.
Has Sage (Senior Research Fellow/Univ. of Mass.) found a Rosetta stone for Hitler studies? Or just another grilled-cheese sandwich that seems to have a famous face on it? The author has no doubts. Repeatedly in this compelling but sometimes wacky analysis (Hitler was like John Hinckley, who’d watched Taxi Driver a few times too many) he tells us that Hitler studies must henceforth take into account the Ibsen factor. And with all the fervor of a founder of a fresh religion, he calls his findings astonishing and a verbal smoking gun. Sage does show that Ibsen’s plays were popular in Hitler’s day and has even found some direct references to the playwright in Hitler’s biography and oeuvre. (No one can question the thoroughness of the author’s research.) He begins with the image of a pentimento (Ibsen’s influence has lain, till now, just beneath the surface) and proceeds with increasing animation to argue his case. In Mein Kampf, he says, Hitler plagiarized lines from An Enemy of the People; as proof, he offers parallel columns of text—Hitler and Ibsen. But the examples are not always convincing. Hitler also identified himself, says Sage, with the Roman emperor Julian (“The Apostate”), subject of another Ibsen play, Emperor and Galilean. From Emperor, Hitler derived (among other things) both anti-Christian and anti-Semitic ideas. Emperor prompted him to kill his niece, and it caused him to make a grievous tactical error during his invasion of the USSR. Because of Ibsen’s The Master Builder, Hitler torched the Reichstag and murdered Albert Speer’s mentor, Fritz Todt—events whose causes previous purblind historians have simply missed. Fearless Sage then fingers the man who’d caused Hitler to hate Jews.
A thesis that will provoke deliberation, debate, outrage and probably a little laughter.Pub Date: June 13, 2006
ISBN: 0-7867-1713-0
Page Count: 384
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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