PHILISTINES AT THE HEDGEROW

PASSION AND PROPERTY IN THE HAMPTONS

Gaines has written a page-turner, and the Hamptons have a historian and folklorist who fits them like a glove. Gaines turns from his usual ho-hum celebrity bios (Obsession: The Lives and Times of Calvin Klein, 1994, etc.) to the rich and dishy cultural history of the Hamptons from the time when Georgika’s Pond, one of the most expensive pieces of real estate in the world, was the fishing ground of a lone Indian named Jeorgkee. He traces unending Hamptons litigation and squabbling from Goody Garlick in 1658 up to Martha Stewart (Goody Garlick was tried for witchcraft, and Martha has an ongoing feud with her neighbor, real-estate mogul Harry Macklowe). In a series of nonfiction novellas, Gaines tells stories of huge egos in small villages: millionaire broker Allan Schneider, who brought big-city real-estate savvy to the Hamptons; Evan Frankel, called the Squire of East Hampton, who thumbed his nose at old money by building a synagogue at the entrance to the village. While others might fight over lovers or money, in the Hamptons it’s property all the way: who owns it, where it’s located, and who gets to control the overpriced and frequently hideous housing built on it. Most interesting, Gaines recounts the history of The Creeks, the largest estate in East Hampton, from its creation by artists Arthur and Adele Herter to its recent reconstruction by paranoid billionaire Ron Perelman. In between, The Creeks belonged to eccentric artist Alfonso Ossorio and his deceptively quiet lover Ted Dragon, who befriended Jackson Pollock and who made The Creeks into a piece of neo-expressionist art. Gaines does a deft job rescuing their story from oblivion—and writes about all the oddities of Hamptons life with contagious zest. With the dropping of names from Wyandanch to Spielberg, Book Hampton should have trouble keeping it in stock.

Pub Date: June 2, 1998

ISBN: 0-316-30941-9

Page Count: 336

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1998

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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