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THE NYLON HAND OF GOD

Benni Baum, headstrong chief of the Israel Defense Force's Special Operations arm, continues to do battle against Israel's many enemies—in a lengthy but engrossing follow-up to Hartov's The Heat of Ramadan (1992). Although deeply involved in a hush-hush prisoner swap with Hizbollah (a band of Tehran-sponsored terrorists), Benni is sent on a flying visit to New York City to help investigate the bombing of a consular office. While in Manhattan, the overweight and 50-ish intelligence officer successfully reaches out to his estranged daughter Ruth (a grad student in psychology). Meantime, the crafty head of Iran's secret police has engaged Martina Ursula Klump (whose band of hired Palestinian guns does odd strong-arm jobs for Islamic fundamentalists throughout the world) to sabotage the covert exchange of POWs as cover for the theocracy's efforts to secure nuclear hardware from one of the erstwhile Soviet Union's breakaway republics. Benni and the lissome but lethal Martina have a past, and he's soon on her trail. Still, she manages to purloin a deadly new torpedo from the US Navy and to kidnap Ruth, spiriting both to a hideout in the desert wilds of Algeria. The distraught Benni quickly recruits a motley crew of Jewish irregulars (from as far away as South America) to mount a rescue mission to an ad hoc base in Casablanca. The German-born agent and his men then parachute into an assembly area near Martina's camp, rout her mercenaries, and liberate Ruth. But the ever-resourceful Martina escapes the ambuscade in a helicopter, and Benni must pursue her to the Moroccan coast for a final confrontation if he's to prevent a launching that could scuttle the long-planned trade of a Muslim cleric for an Israeli commando. A fine beat-the-devil tale notable for three-dimensional characters with failings as well as strengths, plus suspenseful action and twisty plotting.

Pub Date: April 1, 1996

ISBN: 0-688-14120-X

Page Count: 512

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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