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YES MEANS YES

A well-considered but pedantic novel on sexual predation.

A graduate student takes a job monitoring sexual assault on campus and becomes personally implicated in Wells’ (Harvest Homicide: A China Connection, 2014, etc.) novel.

A recent Claremont McKenna graduate, Katie Russell’s plans for post-college life disintegrate when her boyfriend, Justin, decides he will move to Seattle without her. After picking up the pieces, she elects to attend the University of Colorado for graduate school in philosophy. As she prepares to move to Colorado, she gets a call from Justin. He tells her that he made a mistake and begs for another chance. Katie declines, settles in to school, and finds she enjoys living alone in Boulder. She befriends neighbor Ava and crushes on a cute professor. She takes a job with a nonprofit funded by a secret philanthropic source. The job is to report any potential sexual-assault crimes on campus. The job also promises a hefty scholarship bonus if she meets certain requirements. Despite her misgivings, Katie accepts the job. But she becomes more directly involved in the university’s sexual-assault problems than she had anticipated. The book is extensively researched and the writing clear, but as the novel attempts to simultaneously educate and entertain, it grows didactic. The main characters can be oversympathetic toward predators or assign blame to victims, which may realistically portray flawed actors but becomes unnecessarily frustrating, particularly in a book that seemingly aims to educate. Occasionally characters wax preachy or share perspectives that seem unlikely, like college-age women discussing how dating has changed over time. The plotline is engaging, however, and the subject matter offers plenty to ponder.

A well-considered but pedantic novel on sexual predation.

Pub Date: Oct. 1, 2017

ISBN: 978-0-692-90888-4

Page Count: 323

Publisher: Overlake Media

Review Posted Online: Feb. 20, 2018

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CUTTING FOR STONE

A bold but flawed debut novel.

There’s a mystery, a coming-of-age, abundant melodrama and even more abundant medical lore in this idiosyncratic first novel from a doctor best known for the memoir My Own Country (1994).

The nun is struggling to give birth in the hospital. The surgeon (is he also the father?) dithers. The late-arriving OB-GYN takes charge, losing the mother but saving her babies, identical twins. We are in Addis Ababa, Ethiopia, in 1954. The Indian nun, Sister Mary Joseph Praise, was a trained nurse who had met the British surgeon Thomas Stone on a sea voyage ministering to passengers dying of typhus. She then served as his assistant for seven years. The emotionally repressed Stone never declared his love for her; had they really done the deed? After the delivery, Stone rejects the babies and leaves Ethiopia. This is good news for Hema (Dr. Hemalatha, the Indian gynecologist), who becomes their surrogate mother and names them Shiva and Marion. When Shiva stops breathing, Dr. Ghosh (another Indian) diagnoses his apnea; again, a medical emergency throws two characters together. Ghosh and Hema marry and make a happy family of four. Marion eventually emerges as narrator. “Where but in medicine,” he asks, “might our conjoined, matricidal, patrifugal, twisted fate be explained?” The question is key, revealing Verghese’s intent: a family saga in the context of medicine. The ambition is laudable, but too often accounts of operations—a bowel obstruction here, a vasectomy there—overwhelm the narrative. Characterization suffers. The boys’ Ethiopian identity goes unexplored. Shiva is an enigma, though it’s no surprise he’ll have a medical career, like his brother, though far less orthodox. They become estranged over a girl, and eventually Marion leaves for America and an internship in the Bronx (the final, most suspenseful section). Once again a medical emergency defines the characters, though they are not large enough to fill the positively operatic roles Verghese has ordained for them.

A bold but flawed debut novel.

Pub Date: Feb. 6, 2009

ISBN: 978-0-375-41449-7

Page Count: 560

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2008

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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