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THIRD PARTY

Name: THIRD PARTY
Author: Steven Nemerovski
ISBN: 978-1-68111-129-2

VOL. II: STRANGE BEDFELLOWS

by Steven Nemerovski ‧ RELEASE DATE: Aug. 2, 2016

A lively yarn about the gross but tasty sausage-making of politics.

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An idealistic third party braves the snake pit of Illinois politics in this second volume of a sprawling trilogy on statehouse skullduggery.

In this continuing saga, the upstart E Party—for Ethics, Economy, and Education—has won a smashing election victory, picking up the Illinois governorship for its dark horse candidate, Baseball Hall-of-Famer Tom Robinson; four of six statewide offices; and the balance of power in the state legislature. Alas, sinister cabals of Democrats and Republicans gather to thwart the party’s program of government ethics, sound budgets, and education reform. The Republicans file for a governor’s race recount, hobbling Tom’s ability to push his agenda; the Robinson administration’s effort to streamline state operations runs afoul of obscure legal strictures; the budget bogs down; a battle royal over redrawing legislative districts opens up an abyss of partisan jockeying; and the education reform bill faces a constitutional challenge by the ACLU (for good reason, as the bill would force high school dropouts to go to school, enter the Army, or do some volunteer gig like AmeriCorps, which sounds like involuntary servitude). Arrayed against the plucky EPers is an array of foes: colluding Republican and Democratic election lawyers; Eddie Cobb, the dark lord of the Democratic National Committee, intent on strangling the EP in its cradle; and Javier Sanchez, a Democratic assemblyman doing Cobb’s dirty work in exchange for help in becoming speaker. Caught in the middle is current Speaker David Kennedy, a master strategist looking to fend off Cobb’s and Sanchez’s attacks and cement his legacy with education reform. There is much heavy-duty wonkery in Nemerovski’s (Third Party, 2016, etc.) novel, but the procedural of election challenges and ballot counting, redistricting maps (they now rely on computer models that would baffle NASA), lobbying, and arcane parliamentary maneuvering is engrossing; the mainly epistolary format of the narrative includes a few overlong memos but mostly unfolds in snappy emails and press reports. Unfortunately, while the EPers hold their own in Springfield, the Republocrats dominate the narrative with their colorful scheming, cackling, vote-stealing, back-stabbing, and womanizing. The EP characters are chiefly boring do-gooders who are forever telling one another how amazing they are. The donkey-elephant show is entertaining enough that readers should hope that the EP never pushes it off the stage.

A lively yarn about the gross but tasty sausage-making of politics.

Pub Date: Aug. 2, 2016

ISBN: 978-1-68111-129-2

Page Count: -

Publisher: Wasteland Press

Review Posted Online: Feb. 7, 2017

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.