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THIRD PARTY

VOL. II: STRANGE BEDFELLOWS

A lively yarn about the gross but tasty sausage-making of politics.

An idealistic third party braves the snake pit of Illinois politics in this second volume of a sprawling trilogy on statehouse skullduggery.

In this continuing saga, the upstart E Party—for Ethics, Economy, and Education—has won a smashing election victory, picking up the Illinois governorship for its dark horse candidate, Baseball Hall-of-Famer Tom Robinson; four of six statewide offices; and the balance of power in the state legislature. Alas, sinister cabals of Democrats and Republicans gather to thwart the party’s program of government ethics, sound budgets, and education reform. The Republicans file for a governor’s race recount, hobbling Tom’s ability to push his agenda; the Robinson administration’s effort to streamline state operations runs afoul of obscure legal strictures; the budget bogs down; a battle royal over redrawing legislative districts opens up an abyss of partisan jockeying; and the education reform bill faces a constitutional challenge by the ACLU (for good reason, as the bill would force high school dropouts to go to school, enter the Army, or do some volunteer gig like AmeriCorps, which sounds like involuntary servitude). Arrayed against the plucky EPers is an array of foes: colluding Republican and Democratic election lawyers; Eddie Cobb, the dark lord of the Democratic National Committee, intent on strangling the EP in its cradle; and Javier Sanchez, a Democratic assemblyman doing Cobb’s dirty work in exchange for help in becoming speaker. Caught in the middle is current Speaker David Kennedy, a master strategist looking to fend off Cobb’s and Sanchez’s attacks and cement his legacy with education reform. There is much heavy-duty wonkery in Nemerovski’s (Third Party, 2016, etc.) novel, but the procedural of election challenges and ballot counting, redistricting maps (they now rely on computer models that would baffle NASA), lobbying, and arcane parliamentary maneuvering is engrossing; the mainly epistolary format of the narrative includes a few overlong memos but mostly unfolds in snappy emails and press reports. Unfortunately, while the EPers hold their own in Springfield, the Republocrats dominate the narrative with their colorful scheming, cackling, vote-stealing, back-stabbing, and womanizing. The EP characters are chiefly boring do-gooders who are forever telling one another how amazing they are. The donkey-elephant show is entertaining enough that readers should hope that the EP never pushes it off the stage.

A lively yarn about the gross but tasty sausage-making of politics.

Pub Date: Aug. 2, 2016

ISBN: 978-1-68111-129-2

Page Count: -

Publisher: Wasteland Press

Review Posted Online: Feb. 7, 2017

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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